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Detailed record for Lansdowne 851
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Author |
Geoffrey Chaucer |
Title |
Canterbury Tales |
Origin |
England, S. E. (London?) |
Date |
c. 1410 |
Language |
English |
Script |
Gothic cursive |
Artists |
Attributed to Herman Scheerre |
Decoration |
I full border in colours and gold with foliate decoration (f. 2). 26 three-sided borders in colours and gold (ff. 12, 39v, 48v, 53v, 54v, 66, 79, 83, 97, 102v, 107, 115, 128v, 141v, 153, 160, 169v, 173v, 181, 186, 189, 192, 207v, 218, 226v, 230v). 1 large historiated initial in colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or red penwork decoration, some with faces (e.g., ff. 14, 41v). Highlighting of letters in yellow. Decorated catchwords. |
Dimensions in mm |
340 x 210 (250 x 140) |
Official foliation |
ff. 255 ( + 3 unfoliated paper flyleaves at the beginning and at the end) |
Collation |
i-xxix8 (ff. 2-233), xxx7 (8-1, the seventh leaf missing) (ff. 234-240), xxxi8 (ff. 241-248), xxxii seven (ff. 249-255). |
Form |
Parchment codex |
Binding |
BM/BL in-house. |
Provenance |
f. 1r-1v is a 18th-century description of the manuscript on parchment. Phillip Carteret Webb (b. 1702, d. 1770), barrister and antiquary: see 1819 catalogue. William Petty (formerly Fitzmaurice) (b. 1737, d. 1805), 2nd earl of Shelburne and 1st marquess of Lansdowne, prime minister: his book-plate with heraldic arms and the motto 'virtute non verbis' (inside upper cover); purchased by the British Museum together with 1244 other Lansdowne manuscripts in 1807. |
Select bibliography |
[Henry Ellis and Francis Douce], A Catalogue of the Lansdowne Manuscripts in the British Museum (London, 1819), no. 851.
Michael Seymour, 'Manuscript Portraits of Chaucer and Hocceleve', Burlington Magazine, 124 (1982), 618-23.
A. S. G. Edwards and Derek Pearsall, 'The Manuscripts of the Major English Poetic Texts', in Book Production and Publishing in Britain 1375-1475, ed. by Jeremy Griffiths and Derek Pearsall (Cambridge: Cambridge University Press, 1989), pp. 257-78 (pp. 274 n. 36, 277 n. 69).
Kathleen L. Scott, 'Design, Decoration and Illustration', in Book Production and Publishing in Britain 1375-1475, ed. by Jeremy Griffiths and Derek Pearsall (Cambridge: Cambridge University Press, 1989), pp. 31-64 (p. 62 n. 85).
Charles A. Owen, The Manuscripts of the Canterbury Tales, Chaucer Studies, 17 (Cambridge: Brewer, 1991), 7-14, 43, 120-121 (as 'La').
Kathleen L. Scott, Later Gothic Manuscripts 1390-1490, A Survey of Manuscripts Illuminated in the British Isles, 6, 2 vols (London: Harvey Miller, 1996), II, 87, 111, 141.
Chris Fletcher, Roger Evans, and Sally Brown, 1000 Years of English Literature: A Treasury of Literary Manuscripts (New York: Harry N. Abrams, 2003), pp. 30-31.
Maidie Hilmo, Medieval Images, Icons, and iIlustrated English Literary Texts: From the Ruthwell Cross to the Ellesmere Chaucer (Aldershot: Ashgate, 2004), p. 171 n. 4. |
Last revised: 24 November 2006 |
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f. 2 Author portrait |

f. 2 Detail |

f. 2 Detail |
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f. 39 Text page from the Miller's Tale. |

f. 39v Illuminated initial |

f. 39v Detail |
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f. 48v Illuminated initial |

f. 48v Detail of initial 'A'(t). |

f. 54v Foliate initial 'A'(nd). |
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f. 66 Illuminated initial 'O' with foliate border. |

f. 79 Illuminated initial |

f. 79 Detail |
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f. 129 Text page from the Merchant's Tale. |

f. 169v Illuminated initial 'T'(her) and decorated catchword. |
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