Broadside: Grand moral spectacle!

Broadside/Ephemera/Illustration/Image

Description

English

By the mid-19th century public executions were relatively uncommon spectacles. Only murderers received the death penalty after 1830 in Britain, the majority of whom were men. The sight of a murderess on the gallows was therefore the source of much public fascination and horror. This bill refers to the execution of Catherine Foster who was hanged at Bury St Edmunds jail in April 1847 at the age of only 17. Foster was condemned for killing her new husband of only a few months by lacing his dumplings with arsenic.

This poster is unusual as it reflects the growing dissatisfaction among politicians and the legal profession with capital punishment by the early Victorian period. Although public executions remained highly popular events among the general public (over 10,000 people attended Foster’s hanging) campaigners began to express concern that any moral lessons to be gained were lost on the excitable and insensible crowds who came to watch. Greater sensitivity and squeamishness of these events among the political elite eventually led to executions being conducted inside prisons after 1868, although the death penalty itself remained in place in for many decades to come.

Full title
Grand moral spectacle! Under the authority of the Secretary of State for the Home Department. This day, Saturday, April 17, 1847, a young girl seventeen years of age is to be publicly strangled in front of the County Jail, Bury St. Edmonds
Published
estimated 1847 , London
Format
Broadside / Ephemera / Illustration / Image
Creator
unknown
Held by
British Library
Usage Terms
Free from known copyright restrictions
Shelfmark
1888.c.3(31)

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Murder as entertainment

Article by
Judith Flanders
Themes: 
Crime and crime fiction, Popular culture

Looking at broadsides, cheap pamphlets and the works of Charles Dickens, Judith Flanders explores how crime in the 19th century – particularly gruesome murder and executions – served as entertainment in both fiction and real life.

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