Gammer G's Garland
Joseph Ritson, who commissioned William Blake to create the engravings for the Collection of English Songs (1784), had the previous year collected the material for Gammer Gurton’s Garland or Nursery Parnassus, published by Joseph Johnson, who also employed Blake as an engraver. The book is subtitled ‘A choice collection of pretty songs and verses’, and contains several traditional nursery rhymes.
How does it relate to children’s literature?
Children’s rhymes had been for decades published as chapbooks, small and cheap books which had no obvious moral messages within them, in contrast to the moralising favoured by Sarah Trimmer and Isaac Watts and other children’s writers directed at the middle classes. Until this period the ordinary nursery rhymes and folk tales were seen as having little or no literary merit. Many adults preferred tales that would instil moral behaviour in their children; the fantastical nature of the rhymes in the chapbooks held no apparent ‘meaning’.
Some writers, among them Samuel Johnson, Charles Lamb, and William Wordsworth, felt that these rhymes and tales were more appropriate for young people than morally educational stories. Johnson believed that they fed children’s natural curiosity, and anyway could be safely contained within ideas of archaic or imagined cultures.
- Full title:
- Gammer G's Garland; or, the nursery Parnassus A new edition
- estimated 1783 , Stockton, County Durham
- Chapbook / Children's book / Illustration / Image
- Held by:
- British Library
- Usage Terms:
- Free from known copyright restrictions
- Article by:
- Martin Dubois
- Childhood and children's literature
Alice’s Adventures in Wonderland is crammed with animals: a grinning cat, a talking rabbit, an enormous caterpillar and countless others. Dr Martin Dubois explores anthropomorphism and nonsense in Lewis Carroll’s novel, revealing the literary traditions that underpin it – and those it inspired.
- Article by:
- Ruth Richardson
- Popular culture, Reading and print culture
Chapbooks were small, affordable forms of literature for children and adults that were sold on the streets, and covered a range of subjects from fairy tales and ghost stories to news of politics, crime or disaster. Dr Ruth Richardson explains what this literature looked like, its subject matter and the ways in which it was produced.