This letter was written by Phyllis Gardner to Maitland Radford after the death of their mutual friend, and Phyllis’s lover, Rupert Brooke. It expresses her pain at this loss and her frustration at the war as well as her need to distract herself from painful thoughts. The letter also shows how the war has led her to question her ideas about life and death.
Phyllis Gardner was an artist and graduate of the Slade School of Fine Art. She met Rupert Brooke in 1911 and their relationship was both passionate and volatile, mainly due to their differing opinions on monogamy.
Gardner was part of Maitland’s circle of artistic friends and she wrote to him throughout his time in France during the First World War. Her letters tell of her frustration at not being able to fight and she frequently mentions her desire to be useful. She also laments the effect the war is having on her career as an artist, leading her to take a job designing toys for children.
Telephone Farm Corner,
93, Burgh Heath. Tadworth,
I wonder if you heard about Rupert. (Your mother wrote to me at once because she is an angel.) I hardly know what to say: except that I can’t honestly say I was surprised – sometimes one has queer flashes of foresight: I’ve had so many with regard to him.
I can’t really tell you all about it, not in a letter.
It is difficult to write.
There is a red cross detachment just passing the fence, bugling & drumming. There are I don’t know how many thousand
- Full title:
- Letter from Phyllis Gardner to Maitland Radford (following death of Rupert Brooke)
- Letter / Manuscript
- Held by:
- British Library
- Usage terms:
- We have been unable to locate the copyright holder for Letter from Phyllis Gardner to Maitland Radford (following death of Rupert Brooke). Please contact firstname.lastname@example.org with any information you have regarding this item.
- Article by:
- Modris Eksteins
- Representation and memory
Focusing on works of fiction produced during the 1920s-30s, Professor Emeritus Modris Eksteins explores the role of literature as a means to confront and overcome the devastation of World War One.