Playbill for The Theatre Royal, Adelphi advertising Nicholas Nickleby, 1839
Nicholas Nickleby was the third novel by Charles Dickens, first published serially in 1838–39. As with earlier works by the author such as The Pickwick Papers and Oliver Twist, an independent stage adaptation was quickly produced.
This playbill comes from the Theatre Royal Adelphi, London, advertising Jane Lomax in 1839. On the reverse, the continuation of the playbill advertises Nicholas Nickleby. The illustration comes from the author’s presentation copy of the biography The Life of Dickens from 1872–1874 by John Forster (1812–1876).
Such adaptations appeared without Dickens’s involvement or approval. After what would now be called theft of intellectual property, when the prolific playwright William Thomas Moncrieff (1794–1857) stole characters and plots from The Pickwick Papers for a stage drama, Dickens responded by satirising him as ‘Mr Crummles’ in Nicholas Nickleby, described as having dramatised 247 novels ‘as fast as they came out – some of them faster’. Moncrieff responded by dramatising Nicholas Nickleby.
- Full title:
- Original playbill for The Theatre Royal, Adelphi. Advertising Jane Lomax, Monday, Feb. 11th, 1839., Tuesday, 12th, Thursday, 14th, and Saturday, 16th. Inlaid on the reverse, continuation of the playbill, advertising Nicholas Nickleby. Printed by S. G.
- February 1839 , Covent Garden, London
- Advertisement / Ephemera / Playbill / Illustration / Image
- The Theatre Royal, Adelphi , John Forster [compiler]
- Held by:
- British Library
- Usage Terms:
- Free from known copyright restrictions
- Dex 316 - Vol I, part II
- Article by:
- Jacky Bratton
- Popular culture
At the beginning of the 19th century, there were only two main theatres in London. Emeritus Professor Jacky Bratton traces the development of theatre throughout the century, exploring the proliferation of venues, forms and writers.
- Article by:
- Simon Callow
- The novel 1832 - 1880
Simon Callow CBE examines Dickens as an actor who gave lively and emotional performances of his own works to an enthralled public on both sides of the Atlantic.