This series of photographs shows the 1/1st Ghurkhas charging and consolidating a trench in France.
While Girdwood’s photographs form an important record of Indian soldiers in Europe during the First World War, their documentary value must be assessed with caution. Girdwood’s was an explicitly propagandist role on behalf of the war effort in general and the India Office in particular, undertaken to illustrate positively the Indian contribution to the war. Some of the scenes at the front appear to be unposed, but a number of images, purportedly showing troops in action, have clearly been staged for the photographer: this could certainly be the case in this series of photographs. The images are perhaps more significant as an illustration of the use of photography as propaganda, rather than a straight documentary record.
The Girdwood Collection
This series of several hundred photographs recording the contribution of Indian soldiers to the Allied war effort was produced in 1915 by the Canadian-born photographer Charles Hilton DeWitt Girdwood (1878-1964). As a professional photographer Girdwood had an early connection with India, photographing the Delhi Durbar of 1903, the royal tour of 1905-06 and the Delhi Durbar of 1911. In 1908 he set up a photo agency called Realistic Travels, specialising in stereoscopic photography.
With the outbreak of war in 1914, Girdwood returned from India and in April 1915 was given permission by the India Office to photograph the work of the Indian military hospitals in Bournemouth and Brighton. From July to September 1915 he worked in France as an official photographer to record Indian and later British troops in the field. In the later part of his time in France he also made ciné film of the campaign (which later appeared under the title With the Empire’s Fighters.
- Full title:
- [1/1] Gurkhas charging a trench [near Merville, France]. Photographer: H. D. Girdwood.
- Girdwood Collection
- Charles Hilton DeWitt Girdwood
- Held by:
- British Library
- © Crown copyright material is reproduced with the permission of the Controller of HMSO and the Queen’s Printer for Scotland
- Photo 24/(162)
- Article by:
- Stephen Badsey
- Historical debates
From portraits of soldiers to official government images, Professor Stephen Badsey examines the private and public use of photography in World War One and its value as a historical source.
- Article by:
- Vanda Wilcox
- Race, empire and colonial troops, Life as a soldier
In a war that saw new weaponry technology and great numbers of casualties, Assistant Professor Vanda Wilcox considers the common experiences of soldiers in active combat.