This book by Filippo Tommaso Marinetti (1876-1944) was first published in Paris in 1909, and reprinted in Italian in 1915 for propaganda purposes. It is a collection of posters and texts focused on patriotism, the military, war, and anti-socialist and anti-clerical campaigns. Its aim was to prepare ‘an Italy bigger, stronger, more advanced and more innovating, an Italy freed from its glorious past and able to create a new immense future’.
Marinetti was an Italian poet and author, and a key figure in the Futurist Movement. The movement envisaged a future dominated by technology, industry, speed, violence and youth. In his Futurist Manifesto (1909), Marinetti wrote ‘We will glorify war – the world’s only hygiene’, part of which can be seen on the cover of this collection. Marinetti had a strong nationalist anti-parliamentary and undemocratic ideology. He supported an intense campaign in favour of Italy joining the war.
L'opera fu pubblicata la prima volta a Parigi nel 1909, pubblicata in italiano a scopo propagandistico nel 1915. Consiste in una raccolta completa di manifesti e testi pubblicati precedentemente (interventismo futurista). Veniva glorificato il patriottismo, l'esercito e la guerra; portata avanti una campagna anticlericale e antisocialista per preparare "un'Italia più grande, più forte, più progredita e più novatrice, una Italia liberata dal suo passato illustre, e perciò atta a crearsi un futuro immenso".
Per il futurista Filippo Tommaso Marinetti, autore del volume la guerra è considerata come “la sola igiene del mondo”. Di accesa ideologia nazionalista, antiparlamentare e antidemocratica, Marinetti sostenne in Italia un intensa campagna interventista a favore dell’entrata in guerra.
- Article by:
- David Stevenson
- Origins, outbreak and conclusions
World War One resulted in radical changes to national boundaries. Professor David Stevenson explains the changes that took place in Europe's political geography.
- Article by:
- Paul Gough
- Representation and memory
Professor Paul Gough introduces British and Belgian artists of World War One, from Henry de Groux and his eyewitness responses to the Belgian invasion, to the later generation of British artists who transformed their frontline experiences into abstract, modernist artworks.