


Diagram of a slave ship

Shopping for fabric

Wordsworth, 'Daffodils'

Textiles from India

Beethoven's sketches

Exhibition of a rhino and zebra

Deciphering the Rosetta Stone

Battle of Waterloo letter

Jane Austen, Persuasion

Peterloo Massacre

Cartoon of a street accident

Shampooing Surgeon

Description of London

Execution of a 12 year old boy

Diary entry on 'The Pillory'

Invention of photography

1832 Reform Act

Tolpuddle Martyrs

Early Chartist meeting notes

Dickens, Oliver Twist

The People's Charter

Dickens: Nicholas Nickleby

Poster for Living Mermaid

The Railways

First postage stamp

Coal mining

Popular entertainments

Engels: factory conditions

Freak show: What is it?

Charlotte Bronte, Jane Eyre

The Communist Manifesto

Chartist William Cuffay

The Great Exhibition

Sketch for the Crystal Palace

Woman's magazine

Poverty and the workhouse

London Zoo

Cookery for the poor
Human Exhibition

Mary Seacole

Ship building

Britain's Indian empire

Nightingale, Notes on Nursing

Victorian fashion

Florence Nightingale letter

Coal mining

Mrs Beeton - Lady's maid

Mrs Beeton

Mrs Beeton's Turkey

A Hulk (prison ship)

Underground trains

Alice in Wonderland

Letter from Charles Darwin

City slums

Opening of the Suez Canal

Music Hall

Street sellers

Freakshow posters

Invention of the telephone

Illusionists and conjurers

The textile industry

Victorian farming

Magic show

Circus poster

Victoria's Indian servant

Match Girls Strike

Jack the Ripper murders

Daily shopping

An Asian MP in Parliament

Gladstone: Irish Home Rule

Oscar Wilde on trial

Nightingale Nurse diary

Factory accidents

Samuel Coleridge-Taylor
Illusionists and spiritualists were popular attractions in Victorian theatres and exhibition halls: audiences could sit amazed as ghosts appeared on stage and automata solved mathematical puzzles. Renowned performers appeared to levitate, slice the heads off spectators and escape out of locked boxes. This poster advertises the 'marvellous entertainments' provided by magicians Maskelyne and Cooke at London's Egyptian Hall.
John Maskelyne and George Cooke took over the Egyptian Hall Theatre in Piccadilly in 1873 and made it the centre of stage magic in London. Hugely popular, they billed themselves as "Royal Illusionists and Anti-Spiritualists", taking a competitive stand against stage magicians who tried to convince audiences that their illusions were "magical" or "spiritual". In this same spirit, Maskelyne and Cooke exposed as fakes an American magic duo, the Davenport Brothers, by performing the Davenports' act and telling audiences how each trick was done. They blended comedy, illusion and conjuring, changing their act frequently to ensure that audiences were never bored.