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Shopping for fabric

Wordsworth, 'Daffodils'

Textiles from India

Beethoven's sketches

Exhibition of a rhino and zebra

Deciphering the Rosetta Stone

Battle of Waterloo letter

Jane Austen, Persuasion

Peterloo Massacre

Cartoon of a street accident

Shampooing Surgeon

Description of London

Execution of a 12 year old boy

Diary entry on 'The Pillory'

Invention of photography

1832 Reform Act

Tolpuddle Martyrs

Early Chartist meeting notes

Dickens, Oliver Twist

The People's Charter

Dickens: Nicholas Nickleby

Poster for Living Mermaid

The Railways

First postage stamp

Coal mining

Popular entertainments

Engels: factory conditions

Freak show: What is it?

Charlotte Bronte, Jane Eyre

The Communist Manifesto

Chartist William Cuffay

The Great Exhibition

Sketch for the Crystal Palace

Woman's magazine

Poverty and the workhouse

London Zoo

Cookery for the poor
Human Exhibition

Mary Seacole

Ship building

Britain's Indian empire

Nightingale, Notes on Nursing

Victorian fashion

Florence Nightingale letter

Coal mining

Mrs Beeton - Lady's maid

Mrs Beeton

Mrs Beeton's Turkey

A Hulk (prison ship)

Underground trains

Alice in Wonderland

Letter from Charles Darwin

City slums

Opening of the Suez Canal

Music Hall

Street sellers

Freakshow posters

Invention of the telephone

Illusionists and conjurers

The textile industry

Victorian farming

Magic show

Circus poster

Victoria's Indian servant

Match Girls Strike

Jack the Ripper murders

Daily shopping

An Asian MP in Parliament

Gladstone: Irish Home Rule

Oscar Wilde on trial

Nightingale Nurse diary

Factory accidents

Samuel Coleridge-Taylor
Music hall was one of the most popular forms of affordable entertainment in the Victorian period. Members of the public flocked to theatres around the country to sing along to favourite popular songs, or watch entertainments as diverse as acrobats, trapeze artists, ‘operatic selections’, ‘black-face minstrels’, or can-can dancers. This illustration from The Graphic newspaper shows the audience clambering over the edge of the balcony to catch sight of the acts at the Victoria Theatre.
The audio in this section is from the Dictionary of London (1879) by Charles Dickens Junior (the first son of the famous author). It describes in detail the many diverse entertainments on offer at the music hall including 'performing animals, winners of walking. matches, successful scullers, shipwrecked sailors, swimmers of the Channel, conjurers, ventriloquists and tight-rope dancers.'
Shelfmark: 010349.de.12.
Can't play the file above? Listen to the audio clip here
Music Hall
Dickens's Dictionary of London, by Charles Dickens junior, 1879
Music Halls—.... Ballet, gymnastics, and so-called comic singing, form the staple of the bill of fare, but nothing comes foreign to the music-hall proprietor. Performing animals, winners of walking. matches, successful scullers, shipwrecked sailors, swimmers of the Channel, conjurers, ventriloquists, tight-rope dancers, campanologists, clog-dancers, sword-swallowers, velocipedists, champion skaters, imitators, marionettes, decanter equilibrists, champion shots, “living models of marble gems,” “statue marvels,” fire princes, “mysterious youths,” “spiral bicycle ascensionists,” flying children, empresses of the air, kings of the wire, “vital sparks,” Mexican boneless wonders,” white-eyed musical Kaffirs,’ strong-jawed ladies, cannon-ball performers, illuminated fountains, and that remarkable musical eccentricity the orchestre militaire, all have had their turn on the music-hall stage. Strangers to the business may be warned that the word “turn,’ as understood in the profession, means the performance for which the artist is engaged, and frequently comprises four or more songs, however much or little of pleasure the first effort may have given the audience. Furthermore, as many of the popular performers take several “turns” nightly, it is undesirable to visit many of these establishments on the same evening, as it is quite possible to go to four or five halls in different parts of the town, and to find widely diverse stages occupied by the same sets of performers.