


Diagram of a slave ship

Shopping for fabric

Wordsworth, 'Daffodils'

Textiles from India

Beethoven's sketches

Exhibition of a rhino and zebra

Deciphering the Rosetta Stone

Battle of Waterloo letter

Peterloo Massacre

Cartoon of a street accident

Shampooing Surgeon

Description of London

Execution of a 12 year old boy

Diary entry on 'The Pillory'

Invention of photography

1832 Reform Act

Tolpuddle Martyrs

Early Chartist meeting notes

Dickens, Oliver Twist

The People's Charter

Poster for Living Mermaid

The Railways

First postage stamp

Coal mining

Popular entertainments

Engels: factory conditions

Freak show: What is it?

Charlotte Bronte, Jane Eyre

The Communist Manifesto

Chartist William Cuffay

The Great Exhibition

Sketch for the Crystal Palace

Woman's magazine

Poverty and the workhouse

London Zoo

Cookery for the poor
Human Exhibition

Mary Seacole

Ship building

Britain's Indian empire

Nightingale, Notes on Nursing

Victorian fashion

Florence Nightingale letter

Coal mining

Mrs Beeton

Mrs Beeton's Turkey

Alice in Wonderland

Letter from Charles Darwin

City slums

Opening of the Suez Canal

Music Hall

Street sellers

Freakshow posters

Invention of the telephone

Illusionists and conjurers

The textile industry

Victorian farming

Magic show

Circus poster

Victoria's Indian servant

Match Girls Strike

Jack the Ripper murders

Daily shopping

An Asian MP in Parliament

Gladstone: Irish Home Rule

Oscar Wilde on trial

Nightingale Nurse diary

Factory accidents

Samuel Coleridge-Taylor
English composer Samuel Coleridge-Taylor’s (1875-1912) greatest success was his vibrant choral piece Hiawatha's Wedding Feast. Composed in 1898, the piece was based on a poem by Henry Longfellow about a native American girl named Hiawatha. Choirs were incredibly popular in Victorian Britain, and his big, attractive score, flowing with melody, appealed to both singers and audiences.
Coleridge-Taylor was mixed race - his mother was white English, his father a black Sierra Leonean. He was very well aware of the difficulties he faced because of the colour of his skin: his nickname at school, for instance, was 'coaley'. But he was a keen student and in 1890 he won a scholarship to the Royal College of Music. He soon became highly respected among London's musical establishment. The composer Edward Elgar called him "the cleverest fellow going amongst the young men", and recommended him for his first big commission. In a time when amateur choirs and sheet music were a central part of popular culture Hiawatha's Wedding Feast was a score for all to enjoy.