


Congreve, The Way of the World

John Dryden, Fables

Queen's Royal Cookery

East India Company sales catalogue

The Spectator

Jonathan Swift, A Proposal...

Sugar in Britain

Daniel Defoe, Robinson Crusoe

Bartholomew Fair

Trade and the English language

Swift, A Modest Proposal

East India Company: Bengal textiles

English arrives in the West Indies

Hogarth, Harlot's Progress

Cities in chaos

Polite conversation

James Miller, Of Politeness

Samuel Richardson, Pamela

Advert for a giant

Muffin seller

The Art of Cookery

Henry Fielding, Tom Jones

Johnson's Dictionary

Sterne, Tristram Shandy

Lowth’s grammar

Rousseau, The Social Contract

Walpole, The Castle of Otranto

Goldsmith, She Stoops to Conquer

Captain Cook's journal

Journey to the Western Islands of Scotland

Burns, Poems Chiefly in the Scottish Dialect

Anglo-Indian newspaper

Notices about runaway slaves

First British advert for curry powder

Storming of the Bastille

Olaudah Equiano

William Blake's Notebook

Thomas Paine's Rights of Man

Walker’s correct pronunciation

Wollstonecraft's Rights of Woman

Songs of Innocence and Experience
Tom Jones is one of the earliest English novels, and was hugely popular when it was first published in 1749. It tells the story of the foundling Tom, adopted as a baby by the benevolent widower Mr Allworthy, and his journey towards adulthood and marriage. As might be expected, this journey is a complicated one: Tom falls in love with a neighbour's daughter, discovers that he has a rival for his love in the shape of the unpleasant Master Blifil, and is expelled from Mr Allworthy’s house after a series of misadventures. His picaresque journey leads him to encounter a vivid cast of characters including robbers, soldiers, gypsies and untrustworthy lawyers - the latter perhaps an arch nod to Fielding's own legal career.
Yet the plot alone is only part of Tom Jones. The novel is written in a mock-epic style in which Tom’s adventures are paralleled with those of the heroes of Classical mythology: whole chapters are given up to seemingly irrelevant digressions, and the story is frequently underscored with a bawdy humour that led Samuel Johnson to comment that he 'scarcely knew a more corrupt work'. Fielding's influence can be seen on a number of later writers, most notably the great 19th-century novelists Charles Dickens and William Makepeace Thackeray.