


Congreve, The Way of the World

John Dryden, Fables

Queen's Royal Cookery

East India Company sales catalogue

The Spectator

Jonathan Swift, A Proposal...

Sugar in Britain

Daniel Defoe, Robinson Crusoe

Bartholomew Fair

Trade and the English language

Swift, A Modest Proposal

East India Company: Bengal textiles

English arrives in the West Indies

Hogarth, Harlot's Progress

Cities in chaos

Polite conversation

James Miller, Of Politeness

Samuel Richardson, Pamela

Advert for a giant

Muffin seller

The Art of Cookery

Henry Fielding, Tom Jones

Johnson's Dictionary

Sterne, Tristram Shandy

Lowth’s grammar

Rousseau, The Social Contract

Walpole, The Castle of Otranto

Goldsmith, She Stoops to Conquer

Captain Cook's journal

Journey to the Western Islands of Scotland

Burns, Poems Chiefly in the Scottish Dialect

Anglo-Indian newspaper

Notices about runaway slaves

First British advert for curry powder

Storming of the Bastille

Olaudah Equiano

William Blake's Notebook

Thomas Paine's Rights of Man

Walker’s correct pronunciation

Wollstonecraft's Rights of Woman

Songs of Innocence and Experience
The public on both sides of the Atlantic was eager for guidance on how to speak correctly. John ‘Elocution’ Walker (1732–1807) met this demand by illustrating how to reproduce a ‘cultured’ London accent, which he described as ‘undoubtedly the best’. Advice is given for people with Scottish or Irish accents, and above all for Londoners with a Cockney accent, which according to Walker is ‘a thousand times more offensive and disgusting’.
On this page
Walker uses a system of marks and numbers to indicate the desired pronunciation. A short slanted line like this ´, for example, indicates the syllable immediately before carries the stress. We can see in these pages how some words have changed since his day, such as balcony, which has the stress on the second syllable.
John Walker, A Critical Pronouncing Dictionary, 1791.
Shelfmark: 69.f.9.