


Wordsworth, 'Daffodils'

Jane Austen letter

Guide to fashion and etiquette

Alphabet books

Soldier's letter: Battle of Waterloo

Jane Austen, Persuasion

P B Shelley, 'Ozymandias'

Sir Walter Scott, Rob Roy

Mary Shelley, Frankenstein

Coleridge's notes on Shakespeare

Keats, 'Ode to a Nightingale'

Lord Byron, Don Juan

Confessions of an English Opium-Eater

Grammar for children

Yorkshire dialect

Punctuation for children

Anti-slavery poem

Diary description of London

Execution of a 12 year old boy

Modern Flash Dictionary

Dickens, Oliver Twist

London dialect in Dickens

Dickens, Nicholas Nickleby

Browning, Dramatic Lyrics

Dickens, A Christmas Carol

Lear's Book of Nonsense

Charlotte Bronte, Jane Eyre

Emily Bronte, Wuthering Heights

The Communist Manifesto

'How do I love thee?'

Poverty and the workhouse

Poor Letter H

'The Charge of the Light Brigade'

Get your ‘air cut!

Cookery for the poor

Mary Seacole's autobiography

Mary Seacole newspaper article

Nursery rhymes

Florence Nightingale letter

Coal mining

The Woman in White

Mrs Beeton

Mrs Beeton's Christmas

Melodrama: East Lynne

Alice's Adventures in Wonderland

The Queen's English

Letter from Charles Darwin

Text message poetry

George Eliot, Middlemarch

Music Hall

Victorian fashion

Freakshow posters

Street sellers

Invention of the telephone

Illusionists and conjurers

Oxford English Dictionary

Afrikaans novel

Mark Twain, Huckleberry Finn

Anglo-Indian dictionary

Dr Jekyll and Mr Hyde

Circus poster

Jack the Ripper murders

Match Girls Strike

Babu English

Hardy, Tess of the D'Urbervilles

Wilde, The Importance of Being Earnest

H G Wells, The Time Machine

English 'down under'
Exhibitions of live human curiosities had appeared in travelling fairs, circuses and taverns in England since the 1600s. These included so-called giants, dwarves, fat people, the very thin, conjoined twins and even people from countries outside of Britain, who were perceived as 'exotic'. Freak shows were a particularly popular form of entertainment during the Victorian period, when people from all classes flocked to gawp at 'unusual' examples of human life. These posters from the 1870s show the kinds of acts that were on offer.
Novelty acts relied a great deal on shock, therefore performers were not revealed in the flesh to audiences until money had changed hands. Titillating publicity was crucial, as the people described in these adverts often bore little resemblance to what lay behind the curtain or turnstile. Exaggerated and stylised illustrations lent age to dwarf acts, stature to giants, and plausibility to mermaids and bear boys. The advertisers of these shows aroused the curiosity of the audience by overplaying, often entirely inventing, 'true life' stories.
The audio extract here is from the journal Living London in 1902.
Shelfmark: Evan 201, 2682, 295.
Can't play the file above? Listen to the audio clip here
Audio transcript
Read from G.R. Sims, Living London, 1902.
Throughout the summer, living skeletons, midget families, and suchlike celebrities, tour about in caravans and are to be viewed in tents at county fairs; but winter drives them into London, and the big provincial cities. Here their showmen sometimes hire untenanted shops at low rentals, 'til they are re-let, and run shows on their own account. Oftener they are glad to get engagements for successive weeks at regular showplaces, such as the two at Islington; those in Whitechapel, in Kilburn; in Deptford; or in Caning Town. Whereof, you may pay your penny and be entertained over the shooting gallery at Islington by a pair of oriental jugglers in one room, and in the other, by a gentleman and his wife who are tattooed from necks to heels with ingenious designs in half the colours of the rainbow.