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Jane Austen letter

Guide to fashion and etiquette

Alphabet books

Soldier's letter: Battle of Waterloo

Jane Austen, Persuasion

P B Shelley, 'Ozymandias'

Sir Walter Scott, Rob Roy

Mary Shelley, Frankenstein

Coleridge's notes on Shakespeare

Keats, 'Ode to a Nightingale'

Lord Byron, Don Juan

Confessions of an English Opium-Eater

Grammar for children

Yorkshire dialect

Punctuation for children

Anti-slavery poem

Diary description of London

Execution of a 12 year old boy

Modern Flash Dictionary

Dickens, Oliver Twist

London dialect in Dickens

Dickens, Nicholas Nickleby

Browning, Dramatic Lyrics

Dickens, A Christmas Carol

Lear's Book of Nonsense

Charlotte Bronte, Jane Eyre

Emily Bronte, Wuthering Heights

The Communist Manifesto

'How do I love thee?'

Poverty and the workhouse

Poor Letter H

'The Charge of the Light Brigade'

Get your ‘air cut!

Cookery for the poor

Mary Seacole's autobiography

Mary Seacole newspaper article

Nursery rhymes

Florence Nightingale letter

Coal mining

The Woman in White

Mrs Beeton

Mrs Beeton's Christmas

Melodrama: East Lynne

Alice's Adventures in Wonderland

The Queen's English

Letter from Charles Darwin

Text message poetry

George Eliot, Middlemarch

Music Hall

Victorian fashion

Freakshow posters

Street sellers

Invention of the telephone

Illusionists and conjurers

Oxford English Dictionary

Afrikaans novel

Mark Twain, Huckleberry Finn

Anglo-Indian dictionary

Dr Jekyll and Mr Hyde

Circus poster

Jack the Ripper murders

Match Girls Strike

Babu English

Hardy, Tess of the D'Urbervilles

Wilde, The Importance of Being Earnest

H G Wells, The Time Machine

English 'down under'
Edward Lear began writing nonsense songs for the grandchildren of the Earl of Derby, whose aviary he was illustrating. An accomplished bird and landscape painter who suffered from epilepsy and depression, Lear wrote several books of poems for the young; though his work continues to delight children some of the longer poems indicate an autobiographical melancholy.
Though he is celebrated as bringing the form of the limerick to the forefront of children’s literature, it is his longer songs and nonsense alphabets which show his linguistic inventiveness and observations of Victorian middle-class attitudes and lifestyles. The poems are illustrated in Lear’s remarkably naive and disingenuous style, all the more clever given his real skill as an artist.
Though Lear is acknowledged as a writer for children his works contain frequent references to violence, destitution and solitude, reflecting the realities of 19th-century life: people are regularly killed, smashed, drowned or choked. Notably, the German children’s book Struwwelpeter, in which children are burned, have their thumbs cut off, or are blown away by the wind, was published around the same time as the first Book of Nonsense. It is perhaps the starkness of Lear’s observations of the casual violence of life that heighten the delightfulness of his absurd word-usage and mixing of the animal, human and inanimate worlds.