Two lotus patterns. One with Parvati in the middle, the other with Sarasvati in the middle
Medium: Pen and ink on paper
Pen and ink drawing of two lotus medallions with the figures of Parvati and Sarasvati in the middle, from the Minakshi Sundareshvara Temple in Madurai, from an 'Album of 51 drawings (57 folios) of buildings, sculpture and paintings in the temple and choultry of Tirumala Nayyak at Madura. c.1801-05', by an anonymous artist working in the South India/Madurai style, c. 1801-1805. Each picture is inscribed with a title and a number in ink.
The construction of the Minakshi Sundareshvara Temple complex was made possible by the wealth and power of Tirumala Nayak (1623-1659). He was the most prolific builder of a long line of Nayaka kings, a dynasty who ruled a large portion of Tamil country in the 16th and 17th centuries. The whole site, which mostly dates from the 17th century, is enclosed within a rectangular precinct which covers six hectares and has 11 huge gopurams or towers, the biggest of which mark four entrances from the four cardinal points.The complex contains two main shrines; one dedicated to Shiva and one to his consort Minakshi, an ancient local divinity. Each shrine is set within its own walled complex containing several subsidiary shrines, mandapams (assembly halls) and artificial pools. The galleries leading to the shrines are decorated with brightly painted friezes and the ceilings are painted with large medallions. The lotus medallions in this drawing are decorated with the figures of the goddess Parvati and Sarasvati and other figures.