Narrative sculpture on the south side of the Amritesvara Temple at Amritpur, 1805. Details from the Ramayana frieze f.90
Medium: Pen and ink on paper
Pen-and-ink drawing of details from the Ramayana frieze carved on the open hall of the Amriteshvara temple at Amritapura in Karnataka. This drawing is taken from an album of 156 drawings (185 folios) chiefly of architecture and sculpture in S. India, dated 1803-08. Some drawings are by MacKenzie himself, others by his assistant surveyors and draftsmen, including H. Hamilton and J. Newman.
The Amriteshvara Temple at Amritapura, located 110 km from Hassan, is a beautiful example of Hoysala architecture decorated with fine sculpture. An inscription records the building of the temple in 1196 AD. The Hoysalas were prolific temple builders and during their rule (circa 1006-1346) they built nearly 700 monuments in Karnataka. The Amriteshvara, which is dedicated to Shiva, consists of a sanctuary with its tower, a vestibule, a closed hall, and a large open hall. The open hall is approached through entrance porches in the four cardinal directions. It has half-open walls with slanting seat-back remarkably carved with narrative panels from the Hindu epics. On the south face of the railings of the half-open hall there are 76 narrative relief panels that retell episodes from the six kandas (books) of the epic of the Ramayana. This Sanskrit epic tells the story of prince Rama and his wife Sita as they went into exile, accompanied by Rama's brother Lakshmana, and how Sita was abducted by Ravana, the demon-king of Lanka, and rescued with the help of Hanuman, the king of the monkey tribes. It is the earliest Indian epic, attributed to the sage Valmiki and dated to between 500 BC - 4th century AD. The panels begin on the south face of the portico which connects the open hall with the closed hall and run anti-clockwise towards the east, terminating on the east porch. This drawing depicts two panels carved on the south face of the mukhamandapa (open hall). The top panel depicts the scene in which Angada is crowned as a crown prince (Kishkindhakanda, sarga 25). Rama and Lakshmana are seated, giving a blessing to the kneeling Angada, with Sugriva standing behind. The bottom panel illustrates the scene in which Vishvamitra leads Rama and Lakshmana away from Kosala into the forest (Balakanda, sarga 21).