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View from the north-east of the dhvajastambha and vimana, Kailasanatha rock-cut temple, Ellora

View from the north-east of the dhvajastambha and vimana, Kailasanatha rock-cut temple, Ellora

Photographer: Nepean, Henry Mack

Medium: Photographic print

Date: 1868

Shelfmark: Photo 1000/27(2657)

Item number: 2657

Length: 34.4

Width: 27.1

Scale: Centimetres

Genre: Photograph

Photograph of the dhvajastambha in the Kailasanatha rock-cut temple at Ellora, from the Archaeological Survey of India Collections, taken by Henry Mack Nepean in 1868. The spectacular site of Ellora is renowned for its series of Hindu, Buddhist and Jain cave temples excavated into the rocky fa├žade of a cliff of basalt. The works were carried out under the patronage of the Kalachuri, the Chalukya and the Rashtrakuta dynasties between the 6th and 9th centuries. The Kailasanatha is a free-standing temple rather than a cave, entirely sculpted out of a great mass of basalt. Patronized by different rulers of the Rashtrakuta dynasty from the mid-8th century, it symbolizes Mount Kailasa, abode of Shiva. Sculptures of river goddesses flank the entrance gateway which is set into a tall screen wall. Behind the screen the complex comprises three main sections; a Nandi shrine, a mandapa, and the main sanctuary. The principal shrine is topped by a pyramidal tower, or shikara. There are two huge monolithic columns, or dhvajastambha, that stand on either side of the temple. This is a view of the southern column, decorated with relief carvings.

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