An order of monks and nuns who followed a strict ideal of abstinence, the Carmelites or 'White Friars' became prominent in England in the 13th and 14th centuries. They were well-connected with powerful supporters in the royal court. The Carmelite Missal was probably made for use at Whitefriars in London. Its beautiful decoration can be seen as an expression of both the White Friars' religious intensity and their highly placed patronage. At least three artists, one a foreigner, decorated it and introduced new ways of depicting the human figure and creating illusions of space. Their work brought English manuscript art into a new phase of the 'International Style' of western European painting. The missal's early 19th-century owner allowed his children to cut it up and paste scraps of its decoration into 'collages'. In the 1930s Margaret Rickert reconstructed the missal from its scraps. From the section of prayers for saints' feasts (Sanctorale), this reconstructed page has a beautiful historiated initial (letter bearing a picture) of the coronation of the Virgin, The space of the throne appears to unfold from the flat page, and the sumptuous colours create a splendor, complete with surrounding angelic musicians. The letter itself is composed of red and gold cherubim, while the lower margin provides amusement with a lady and distaff, hounds and their prey.