Click here to skip to content

The Key to the Plate representing the method of catching Wild Elephants

The Key to the Plate representing the method of catching Wild Elephants

Engraver: Havell, R. & Son

Medium: Aquatint

Date: 1817

Shelfmark: Ktop CXV

Item number: 95b

Length: 64.3

Width: 6.7

Scale: Centimetres

Genre: Topographical Print

Aquatint published by R. Cribb and Son in 1817, explaining the processes employed in capturing wild elephants in Ceylon (Sri Lanka), and part of the King George III's Topographical Collection. Elephants are an integral part of the pageantry of Sri Lankan culture, and the capture and taming of wild elephants had been happening here for millennia. Traditionally elephants were captured for the King and kept in his stables. They were also exported to other countries. The methods of capturing them were refined and modified as time went on. Elephants were used in religious ceremonies and processions, in warfare, and for work activities such as logging, transport and construction. The Imperial Gazetteer of India explains 'As a rule elephants are captured in stockades (kheddas) into which whole herds are driven, a few are caught in pitfalls, others are run down and noosed by men riding fast tame animals'. Elephants were abundant in Sri Lanka but their decline began with the advent of the British who deemed them agricultural pests and encouraged their killing. Today the degradation of forest cover and indiscriminate killing have reduced their population in the country to dismal levels.

Search within this collection

Elsewhere on our websites

Newsletter

Latest events - register free online

Mobile app

For iPhone, iPad and Android

Report a Concern

What is the nature of your concern?

Report a Concern

What is the nature of your concern?

Email link to a friend

Write a brief note to accompany the email

Your friend's email address: