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Scripts collection

The 1968 Theatres Act ended the Lord Chamberlain's power to pre-censor theatre. It also stipulated that a copy of every new play performed in a licensed venue in Great Britain should be deposited at the British Library. Unsurprisingly, this first change has tended to overshadow the latter, and as a result many new scripts were never deposited.

This strand of the Project aims to recover scripts performed after 1968 that were never deposited. Letters have been sent to all the theatres in Great Britain asking for a list of new plays performed since 1968. All agents and literary managers have been informed of the stipulation, and articles appealing for scripts and information have appeared everywhere from the Independent on Sunday to the Writers Guild of Great Britain to Sanderstead Drama Club, asking for information about new plays.

This information is then compared with the British Library holdings, and theatres and writers are notified of the missing plays and asked to send them to Theatre Archive Project at the University of Sheffield.

Between September 2004 and April 2005 over 1,000 missing scripts were identified from fewer than 100 theatres. To date, nearly 300 of these play scripts have been recovered, and they will be deposited in the Library in due course.

You can help by

  • Sending in a list of all new plays performed by your company or
    in your theatre.
  • Contacting us if you have any memos/letters/memories relating to the depositing of scripts with the British Library or to the letter in The Stage.
   

Frequently asked questions:

What constitutes a new play script?

Any work not previously performed in a licensed space in the UK, including new translations, adaptations of original works, musicals and pantomimes.

What form does the script have to be in?

It can be paper or electronic, bound or unbound, clean or dirty as long as it is the script on which the first performance is based. For this reason, our preference is for an unpublished version (i.e. the prompt script, or working script rather than the published version sold in the foyer or bookshop). From a research point of view, the more scribbled on the script is, the better, as it gives us more of a feeling of the play in performance.

Where should I send my script?

Manuscripts Collections
The British Library
96 Euston Road
London
NW1 2DB

Email: kathryn.johnson@bl.uk


Read more about the methodology behind the project

List of scripts collected by Kate Dorney for the Theatre Archive Project: November 2004 - July 2005