Breaking Barriers: Murray Melvin on A Taste of Honey
Actor Murray Melvin talks about how he went from being the tea boy at Theatre Royal Stratford East to playing the role of Geof in the original production of Shelagh Delaney’s A Taste of Honey in 1958, and later in the film directed by Tony Richardson. He sheds light on the challenges of playing a gay character at a time when homosexuality was illegal, and the collaborative process of bringing the play to the stage under the directorship of Joan Littlewood.
Oh What a Lovely War changed the landscape of British theatre and had a major impact on perceptions of the First World War. Here actor Murray Melvin discusses his memories of performing in the original Theatre Workshop production and describes Joan Littlewood’s radically experimental working methods. - video
Shelagh Delaney wrote A Taste of Honey when she was only 19. Selina Todd explains how it came to be performed by Joan Littlewood's Theatre Workshop, and what was so original about its portrayal of a working-class mother and daughter.
Jeanette Winterson describes how Shelagh Delaney's imagination, humour and self-belief helped her to make a place for herself in the male-dominated world of 1950s and 1960s British theatre and become the country's first working-class female playwright.
That Joan Littlewood cut down the script of A Taste of Honey and added her own theatrical flavour is well-known. Louise Kimpton Nye takes a look at Shelagh Delaney’s original manuscript and explores some of its themes.
Find close readings, critical interpretations and personal responses to the works of key 20th-century playwrights and practitioners, including Samuel Beckett, Harold Pinter, Shelagh Delaney and Timberlake Wertenbaker.
From Stanislavski to Brecht and from Theatre of the Absurd to Theatre Workshop, explore some of the key influences and developments within 20th century theatre practice.