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Detailed record for Royal 14 C VII
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| Author |
Matthew Paris |
| Title |
Historia Anglorum, Chronica majora, Part III; Continuation of Chronica maiora |
| Origin |
England, S. (St Albans) |
| Date |
1250-1259 |
| Language |
Latin |
| Script |
Gothic |
| Scribe |
Matthew Paris |
| Artists |
Matthew Paris |
| Decoration |
Maps in colours and gold of an itinerary from London to Apulia (ff. 2-4), and to the Holy Land (ff. 4v-5), now mounted separately. 1 large framed tinted drawing of the Virgin and Child (f. 6). A series of tinted drawings of the kings of England (ff. 8v-9). 32 marginal tinted drawings in colours (ff. 42v, 68, 90, 94, 116v, 117v, 118, 119, 121, 121v, 122, 122v, 123v, 124v, 126, 127v, 128, 129v, 134v, 136, 137v, 138, 138v, 146, 148v, 158v, 167, 167v, 181, 181v, 182, 218v). Numerous shields with coats of arms, crosiers and mitres or tiaras in colours, upright or inverted, indicating births, elections of bishops or popes, coronations, or death of kings and knights. 1 diagram in ink (f. 1v). Puzzle initials in red and blue with a foliate decoration in green, brown, and red. Initials in blue with red pen-flourishing, or in blue with red pen-flourishing. |
| Dimensions in mm |
360 x 245 (260 x 170) |
| Official foliation |
ff. ii + 232 (+ 2 unfoliated modern paper flyleaves et the beginning and 3 at the end; 1 blank parchment leaf after f. 1; ff. i, ii, 1, 232 are medieval parchment flyleaves; ff. 2-5 are parchment leaves mounted separately between sheets of glass) |
| Form |
Parchment codex |
| Binding |
BM/BL in-house. |
| Provenance |
Matthew Paris (b. c.1200, d.1259), historian, Benedictine monk, written by him between 1250 and 1259: the Historia Anglorum begun in 1250, 'Nec usque ad tempora hec scribentis videlicet annum gratia M CCL est inventus'; and given to the Benedictine abbey of St Albans: inscribed in his hand 'Hunc librum dedit f[rate]r matthaeus pariesiensis [erased] / Anima Mattaei et anime omniu[m] fidelium defunctorum requiescant in pace. Amen' (f. 6v).
The Benedictine abbey of St Albans: above inscription, and St Albans library pressmark 'A.19' (f. 1)
Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414: an erased inscription 'Ceste livre est a moy Homffrey Duc de Gloucestre' (f. 231).
John Russell (b. c.1430, d. 1494), bishop of Lincoln: inscription of 1488 stating that if the book can be proved to have belonged to St. Albans the bishop will view it as a loan from the monks, but otherwise he bequeaths it to New College, Oxford (f. 1).
Polydore Vergil [Polidoro Virgili] (b. c.1470, d. 1555), historian: used by him for his Anglica Historia of 1534; notes in his hand (ff. 10-100).
Added leaves replacing the original folios, 16th century (ff. 34-35v).
The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1041' (f. 1), included in the Upper Library at Westminster after c. 1547; and in the select list of works noted by John Bale, as 'Chronica Matthei Parys. Thys chronycle remayneth in the custodye of my lorde of Arundell, beynge a fayre, and written in an olde Latyne lettre. It belongeth to the quenes majestyes lybrary, lent by Bartylmew Trihearon, suche tyme as he had the kepynge of that lybrarye in the kynge Edwardes tyme'.
Henry Fitzalan, 12th earl of Arundel (b. 1512, d. 1580), magnate: lent to him by Bartholomew Traheron, keeper of the king's library (1549-53) (see note above).
Matthew Parker (b. 1504, d.1575), archbishop of Canterbury and patron of scholarship: lent to him by Arundel for his edition of the Chronica Majora of 1571 (see Graham and Watson 1998).
Inscribed 'Johannes Minsheus', probably to be identified with John Minsheu (b. 1559/60, d. 1627), lexicographer (f. ii).
John Lumley, 1st baron Lumley (b. c. 1533, d. 1609), collector and conspirator: inscribed with his name (f. 1); passed to Henry, prince of Wales.
Henry Frederick, prince of Wales (b. 1594, d. 1612), eldest child of James I: his collection became part of the Royal Library.
The Old Royal Library: included in the catalogue of 1666, Royal Appendix 71, f. 21; and in the 1698 catalogue of the library of St James’s Palace (see Catalogi librorum manuscriptorum Angliae et Hiberniae (Oxford: Sheldonian, '1697'), no. 8345).
Presented to the British Museum by George II in 1757 as part of the Old Royal Library. |
| Notes |
Full digital coverage available for this manuscript: see Digitised Manuscripts at http://www.bl.uk/manuscripts.
Includes two autograph copies of works of Matthew Paris: the only complete copy of the Historia Anglorum, a history of England covering the years 1070-1253 (ff. 10-156v), probably written in the period between 1250-1255, and the Chronica Majora, Part III, covering the years 1254-1259 (ff. 157-218v), of which the first two volumes are Cambridge, Corpus Christi College 26 and 16; with the Continuation of the Chronica majora from 1259 to 1272 (ff. 219-231).
The text is preceded by a diagram of Winds (f. 1v); an Itinerary from London to Jerusalem in French, with pictures of towns (ff. 2-5) [now mounted separately], and a map of Britain (f. 5v); Easter tables (f. 6v), and a calendar (ff. 7-8).
Written by Matthew Paris except ff. 154v-156v, 210 col. 2-218v, which are in a hand of the scribe who has added a note of Matthew Paris's death (f. 218v), and ff. 34-35v which have been supplied in the 16th century.
Catchwords and quire signatures, with a note of numbers of leaves in the lower margin of each first folio of a quire. |
| Select bibliography |
R. Gough, British Topography (London, 1780), I, pp. 61-64.
Joseph Strutt, Horda Angel-cynnan: or a Complete View of the Manners, Customs, Arms, Habits, etc. of the Inhabitants of England, from the arrival of the Saxons till the reign of Henry the Eighth, 3 vols (London: White, 1775-6), II (1775), pl. XXXIII.
Catalogue of Manuscript Maps, Charts and Plans, and of the Topographical Drawings in the British Museum, 3 vols (London: British Museum, 1844-1861), I, p. 14.
Matthew Paris, Matthaei Parisiensis, monachi Sancti Albani, Historia anglorum: sive, ut vulgo dicitur, Historia minor; item ejusdem abbreviatio chronicorum Angliæ , ed. by Sir Frederic Madden, Rerum Britannicarum Medii Aevi Scriptores, 44 (London: Longmans, Green, Reader and Dyer, 1866-1869), p. xxxviii.
T. D. Hardy, Descriptive Catalogue of Materials for British History, 3 vols (London: Rolls Series, 1862-1871), l, lx, lxxi, lxxiii, lxxvi, cxxvi-vii, cxxx-cxxxi, III, pp. 133-36, 153-55.
J. A. Herbert, Illuminated Manuscripts (London: Methuen, 1911), p. 185.
Schools of Illumination: Reproductions from Manuscripts in the British Museum, 6 vols (London: British Museum, 1914-1930), II: English 12th and 13th Centuries (1915), pl. 10.
W. R. Lethaby, 'English Primitives', Burlington Magazine, 31 (1917), 45-52 (pp. 45, 47-48).
George F. Warner and Julius P. Gilson, Catalogue of Western Manuscripts in the Old Royal and King’s Collections, 4 vols (London: British Museum, 1921), II, pp. 135-36.
M. R. James, 'The Drawings of Matthew Paris', Walpole Society, 14 (1926), 1-26 (pp. 18-21).
Eric G. Millar, English Illuminated Manuscripts from the Xth to the XIIIth Century (Paris: Van Oest, 1926), pl. 87.
[Eric G. Millar], British Museum Reproductions from Illuminated Manuscripts, Series 4 (London: British Museum, 1928), pl. 17.
J. P. Gilson, Four Maps of Great Britain designed by Matthew Paris (London: British Museum, 1928), pp. 3-11, pl. D.
O. E. Sounders, English Illumination, 2 vols (Paris: Pegasus Press, 1928, reprinted New York: Hacker Art Books, 1970), I, pp. 76, 78, II, pl. 80.
J. B. Mitchell, 'Early Maps of Great Britain. I: Matthew Paris Maps', The Geographical Journal, 81 (1933), 28-34.
English Benedictine Calendars after A. D. 1100, ed. by Francis Wormald, 2 vols, Henry Bradshaw Society, 77, 81 (London: Harrison and Sons, 1934-1939), I, 32.
Guide to an Exhibition of English Art gathered from Various Departments and held in the Prints and Drawings Gallery (London: British Museum, 1934), no. 113.
Youssouf Kamal, Monumenta Cartographica Africae et Aegypti, 5 vols (Leiden: [Printed for the Author], 1935), III, p. 1001.
B. L. Ullman, 'Manuscripts of Duke Humphrey of Gloucester', in Studies in the Italian Renaissance, Storia e Letteratura, 51 (Rome: Edizioni di Storia e Letteratura, 1955), pp. 345-55 (first publ. in English Historical Review, 52 (1937), 670-72), (p. 354 no. 14).
F. M. Powicke, 'Notes on the compilation of the Cronica Majora of Matthew Paris', Modern Philology, 38 (1941), pp. 312-17.
Francis Wormald, 'More Matthew Paris Drawings', Walpole Society, 31 (1942-43), 109-12 (p. 109, n. 2).
V. H. Galbraith, Roger Wendover and Matthew Paris (Glasgow: University of Glasgow Publications, 1944), pp. 24, 28-30.
F. M. Powicke, 'The Compilation of the Chronica Majora of Matthew Paris', Proceedings of the British Academy, 30 (1944), pp. 153-60.
Aspilogia: being Materials of Heraldry, 2 vols, ed. by A. R. Wagner (Oxford: University Press, 1950), I: A Catalogue of English Medieval Rolls of Arms, p. 1.
C. E. Wright, 'The Dispersal of the Monastic Libraries and the Beginnings of Anglo-Saxon Studies. Matthew Parker and his Circle: a Preliminary Study', Transactions of the Cambridge Bibliographical Society, 3 (1951) 208-37 (f. 214).
Richard Vaughan, 'The Handwriting of Matthew Paris', Transactions of the Cambridge Bibliographical Society, 5 (1953) 376-94 (pp. 376-77, 380, 388, 399, pls XVIIb, XIXh).
G. B. Parks, The English Traveller to Italy (Rome: Edizioni di Storia e Letteratura, 1954), pp. 180-84.
Peter Brieger, English Art 1216-1307, Oxford History of English Art, 4 (Oxford: The Clarendon Press, 1957), p. 136.
Richard Vaughan, Matthew Paris (Cambridge: Cambridge University Press, 1958), pls I, V, XI, XII.
N. R. Ker, 'From 'Above Top Line' to 'Below Top Line': A Change in Scribal Practice', Celtica, 5 (1960) 13-16 (p. 15).
O. H. M. Baron Hexthausen, 'Jerusalemskorset', Heraldisk Tidsskrift', 7 (1963), 293-306 (p. 303, il. 15).
Medieval Libraries of Great Britain: A List of Surviving Books, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: Royal Historical Society, 1964), p. 167.
D. H. Turner, 'The Evesham Psalter', Journal of the Warburg and Courtauld Institutes 27 (1964), 23-41 (p. 35).
Roberto Weiss, 'Portrait of a Bibliophile XI: Humfrey, Duke of Gloucester d. 1447', The Book Collector, 13 (1964) 161-70 (pl. 1b).
Margaret Rickert, Painting in Britain: the Middle Ages, 2nd edn (London: Penguin Books, 1965), pp. 108-09, 203, pl. 110.
Aspilogia: being Materials of Heraldry, ed. by Anthony Wagner, II: Rolls of Arms: Henry III: The Matthew Paris shields, c. 1244-59', ed. by Thomas Daniel Tremlett (Oxford: University Press, 1967), pp. 11-36, 77-79.
Antonia Gransden, Historical Writing in England, 2 vols (London: Routledge and Kegan Paul, 1974), I: c. 550 - c. 1307, p. 356 passim, pl. IX.
Sonia Patterson, 'An Attempt to Identify Matthew Paris as a Flourisher', The Library 32 (1977), 367-70.
André de Mandach, Naissance et développement de la Chanson de Geste en Europe (Geneva: Libraire Droz, 1961- ), III: Chanson d'Aspremont, A. Les cours d'Agoland et de Charlemagne, Publications romanes et françaises, 134 (1975), p. 34.
Andrew G. Watson, Catalogue of Dated and Datable Manuscripts c. 700-1600 in The Department of Manuscripts: The British Library, 2 vols (London: British Library, 1979), I, no. 893.
W. B. Yapp, 'The Birds of English Medieval Manuscripts', Journal of Medieval History, 5 (1979) 315-48 (pp. 320, 346).
Francois Avril, L'enluminure a l'epoque gothique 1200-1420, Bibliotheque de l'image (Paris: Famot,1979), pp. 33-34.
P. D. A. Harvey, The History of Topographical Maps (London: Thames and Hudson, 1980), pls 28, 33.
Helen Wallis, 'The Royal Map Collection of England', Rivista da Universidade de Coimbra 41 (1981), 3-10 (p. 3).
Nigel Morgan, Early Gothic Manuscripts, 2 vols, A Survey of Manuscripts Illuminated in the British Isles, 4 (London Harvey Miller, 1982-1988), I: 1190-1250, no. 92 [with additional bibliography], II: 1250-1285, pp. 51, 84.
The Age of Chivalry: Art in Plantagenet England 1200-1400, ed. by Jonathan Alexander and Paul Binski (London: Royal Academy of Arts, 1987), no. 437 [exhibition catalogue].
Suzanne Lewis, The Art of Matthew Paris in the Chronica Majora (Aldershot: Scolar Press, 1987), pp. 9, 16, 145, 156, 457-67, figs 1, 2, 20, 48, 63, 71, 79, 105, 134, 141, 147, 155, 159-61, 163, 167, 169, 183, 191, 194, 204-08, 217, 218, pl. VII.
Jeanne E. Krochalis, 'The Books and Readings of Henry V and his Circle', The Chaucer Review, 23 (1988), 50-77 (p. 57).
Europa und der Orient: 800-1900, ed. by Gereon Sievernich and Hendrik Budde (Berline: Bertelsmann Lexikon, 1989), no. 7/3 [exhibition catalogue].
Heinrich der Löwe und seine Zeit: Herrschaft und Repräsentation der Welfen 1125-1235, ed. by Jochen Luckhardt and Franz Niehoff, 3 vols (Munich: Hirmer, 1995), [exhibition catalogue] I, no. E19; II, pls 7-8. [with additional bibliography].
P. D. A. Harvey, Mappa Mundi: The Hereford World Map (London: British Library, 1996), pls on pp. 36-37.
Janet Backhouse, The Illuminated Page: Ten Centuries of Manuscript Painting in the British Library (Toronto: University of Toronto Press, 1997), no. 59 and 60.
Sonia Scott-Fleming, The Analysis of Pen Flourishing in Thirteenth-Century Manuscripts (Leiden: E. J. Brill, 1989), pp. 30-31.
Jonathan J. G. Alexander, Medieval Illuminators and their Methods of Work (New Haven: Yale University Press, 1992), pp. 25, 109, 172 n. 62, fig. 36.
Anna-Dorothee von den Brincken, 'Mappe de cielo e della terra: L'orientamento nel basso medioevo', in Atti del XXXIII Convegno Storico Internazionale, Todi, 8-11 ottobre 1995 (Spoleto: Centro Italiano di Studi sull'Alto Medioevo, 1996), pp. 81-96 (pp. 88-89, pl. VI).
Thomas Szabo, 'Le vie per Roma', in La Storia dei Giubilei, vol. I: 1300-1423, ed. by Gloria Fossi (Roma: Giunti, 1997), pp. 71-89 (pp. 74-75).
T. Graham and A. G. Watson, The Recovery of the Past in Early Elizabethan England: Documents by John Bale and John Joscelyn from the Circle of Matthew Parker (Cambridge: Cambridge Bibliographical Society, 1998), pp. 29-30.
The Libraries of King Henry VIII, ed. by J. P. Carley, Corpus of British Medieval Library Catalogues, 7 (London: The British Library, 2000), H2.1041, H4.82, pp. xxiv, lxxviii.
Anna-Dorothee von den Brincken, 'Roma nella cartografia medievale (secoli IX-XIII)', in Roma antica nel Medioevo: Mito, rappresentazioni, sopravivenze nella 'Respublica Christiana' dei secoli IX-XIII, Atti della quatordicesima settimana internazionale di Studio, Mendola, 24-28 agosto, 1998 (Milano: Vita e Pensiero, 2001), pp. 209-29 (pl. XIV).
Anna-Dorothee von den Brincken, 'Descriptio Terrarum: Zur Repräsentation von bewohntem Raum im späteren deutschen Mittelalter', in Raumerfassung und Raumbewusstein in späteren Mittelater, ed. by Peter Moraw (Stuttgart: Jan Thorbecke, 2002), pp. 11-30 (p. 20).
Pamela Porter, Courtly Love in Medieval Manuscripts (London: British Library, 2003), pp. 17-18.
Paul Binski, Becket’s Crown: Art and Imagination in Gothic England 1170-1300 (New Haven: Yale University Press, 2004), pls 108, 185.
James P. Carley, The Books of King Henry VIII and His Wives, preface by David Starkey (London: British Library, 2004), pl. 130/
Simon Lloyd and Rebecca Reader, 'Paris, Matthew (c.1200-1259)', Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/21268, accessed 26 March 2009].
The Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West, ed. by Paul Binski and Stella Panayotova (London: Harvey Miller, 2005), p. 252.
Jane Roberts, Guide to Scripts used in English Writings up to 1500 (London: British Library, 2005), p. 149.
Katharine Breen, 'Returning Home from Jerusalem: Matthew Paris's First Map of Britain in Its Manuscript Context, Representations, 89 (2005), 59-93 (p. 59, 61, 62 and passim, figs. 1-11).
Treasures of the British Library, ed. by Nicolas Barker and others (London: British Library, 2005), p. 29.
M. Meuwese, 'Representations of Jerusalem on Medieval Maps and Miniatures', Eastern Christian Art, 2 (2005), 139-48 (pp. 140-42, pl. 3).
The Chronica Maiora of Thomas Walsingham, 1376-1422, translated by David Preest, with notes by James G. Clark (New York: Boydell Press, 2005), p. 10 [on the text].
Ingrid Baumgärtner Reiseberichte und Karten: Eechselswitige Einflüsse im späten Mittelalter?', in In Spuren Reisen: Vor-Bilder und Vor-Studien in der Reiseliteratur, ed. by Gisela Ecker and Susanne Röhl (Berlin: Lit, 2006), pp. 89-124 (pp. 105, 107, il. 4).
Michelle P. Brown, The Holkham Bible: A Facsimile (London, British Library, 2007), p. 18, pl. 19.
Sacred: Judaism, Christianity, and Islam and their Sacred Texts (London: British Library, 2007), p. 205 [exhibition catalogue].
The Grant Atelier: Patheways of Art in Europe (5th-18th Centureis), ed. by Roland Recht (Brussels: Europalia, 2007), no. VI.2 [exhibition catalogue].
Raymond Clemens and Timothy Graham, Introduction to Manuscript Studies (Ithaca: Cornell University Press, 2008), pp. 240-41, pl. 15-1.
Maps: Finding Our Place in the World, ed. by James R. Akerman and Robert W. Karrow Jr. (Chicago: University of Chicago Press, 2008), pp. 34-35, pl. 9.
Joe Flatman, Ships and Shipping in Medieval Manuscripts (London: British Library, 2009), pls 52, 53, 61, 62.
Scot McKendirck, John Lowden, and Kathleen Doyle, Royal Manuscripts: The Genius of Illumination (London: British Library, 2011), nos 94 and 114 [exhibition catalogue].
Nicholas Vincent, 'The Great Lost Library of England's Medieval Kings' in1000 Years of Royal Books and Manuscripts, ed. by Kathleen Doyle and Scot McKendrick (London: The British Library, 2013), pp. 73-112 (pp. 77, 78). |
| Last revised: 22 September 2009 |
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f. 2
Itinerary to Jerusalem |
f. 2
City of London |
f. 2v
Itinerary through France |
| |
f. 3
Itinerary through France |
f. 4
Itinerary through Italy |
f. 4v
Itinerary to Jerusalem |
| |
f. 4v
Itinerary to Jerusalem |
f. 5
Itinerary to Jerusalem |
f. 5v
Map of Britain |
| |
f. 5v
Map of Britain |
f. 6
Virgin and child |
f. 6
Matthew Paris |
| |
f. 6v
Easter tables |
f. 7
Calendar |
f. 7v
Calendar |
| |
f. 8
Calendar |
f. 8v
English kings |
f. 8v
William I |
| |
f. 8v
King William Rufus |
f. 8v
Henry I |
f. 9
English kings |
| |
f. 9
King John |
f. 9
Richard I |
f. 9
Henry II |
| |
f. 9v
Puzzle initial |
f. 10
Arms of William the Conqueror |
f. 13v
Royal arms of England |
| |
f. 14
Arms |
f. 15v
Text page |
f. 36
Puzzle initial and arms |
| |
f. 40v
Royal arms of France |
f. 42v
Templars |
f. 46
Royal arms of England |
| |
f. 53
Royal arms of England |
f. 68
Arms with a pike |
f. 68
Arms with a pick |
| |
f. 69v
Royal arms of France |
f. 70v
Royal arms of England |
f. 77
Royal arms of England |
| |
f. 85v
Royal arms of England |
f. 86v
Arms |
f. 90
Birth of Henry III and a Bell and clapper |
| |
f. 94
Bells |
f. 94
Bells |
f. 97
Arms of Geoffrey De Mandeville and broken lance |
| |
f. 100
Arms of Henry III |
f. 105v
Arms of Simon de Montfort |
f. 106
Arms of Saer de Quincy and Henry de Buhun |
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f. 106v
Arms of William d'Aubigny |
f. 107v
Royal arms of France of Philip II Augustus |
f. 111
Arms of William de Longespée |
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f. 112
The royal arms of France |
f. 112v
Arms of William de Mandeville |
f. 114
Mitre and crosier |
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f. 116
Arms of William de Braose |
f. 116v
Henry III in a boat |
f. 117
Arms of Gilbert de Clare and William Marshal |
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f. 117
Arms of William Marshal and clasped hands |
f. 117v
Tomb of Richard of Canterbury |
f. 118
Man threshing |
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f. 118
Man threshing |
f. 119
Hubert de Burgh |
f. 119v
Arms of Ralph of Chester |
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f. 120v
Mitres, crosiers and the Manus Dei |
f. 121
House |
f. 121
House |
| |
f. 121v
Hospital |
f. 121v
Hospital |
f. 121v
Hospital |
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f. 122
Consecration |
f. 122v
Edmund of Canterbury, Gilbert Marshal and Henry III |
f. 123v
Frederick II and Isabella of England |
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f. 123v
Frederick II and Isabella of England |
f. 124v
Marriage of Henry III and Eleanor of Provence |
f. 124v
Marriage of Henry III and Eleanor of Provence |
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f. 125
Arms of William d'Aubigny |
f. 125v
Arms of John of Brienne |
f. 125v
Arms of John of Brienne |
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f. 126
Council of London |
f. 127v
Sultan of Babylon |
f. 127v
Sultan of Babylon, mitre and crosier |
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f. 129v
Isabella of Cornwall |
f. 129v
Arms of William of Savoy |
f. 130v
Shields and banners |
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f. 130v
Shields and banners |
f. 133
Mitres, crosiers, and arms |
f. 133v
Arms of William de Marisco |
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f. 133v
Arms of William de Marisco |
f. 134v
Henry III and Eleanor |
f. 134v
Henry III and Eleanor |
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f. 135v
Arms of Arundel and Hubert de Burgh |
f. 136
Griffin escaping from the Tower of London |
f. 137v
Louis IX cured by the True Cross |
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f. 137v
Louis IX cured by the True Cross |
f. 138
Prince Edmund |
f. 138v
Abbey of Westminster and Council of Lyons |
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f. 138v
Abbey of Westminster and Council of Lyons |
f. 138v
Council of Lyons |
f. 141
Arms |
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f. 141v
Arms of William of Holland |
f. 141v
Arms of William of Holland |
f. 142
Long cross penny and ams |
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f. 145
Arms of Enzio, son of Frederick II |
f. 146
Ascension |
f. 146
Ascension |
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f. 146v
Arms |
f. 146v
Detail of arms |
f. 148v
Dove and arms |
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f. 148v
Dove and arms |
f. 149
Mitres and crosiers, and the arms Frederick II |
f. 149
Mitres, crosiers, and the arms of Frederick II |
| |
f. 150
Arms |
f. 156v
Arms of William de Vesci |
f. 157
Puzzle initial |
| |
f. 158v
Crosier |
f. 159
Mitre and crosier with the arms of count William |
f. 162
Arms of Henry |
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f. 164
Arms of Conrad |
f. 165
Arms of Manfred |
f. 165v
Arms of Walter de Cantelupe |
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f. 167
Papal insignia |
f. 167
Papal insignia |
f. 167v
Papal insignia |
| |
f. 167v
Papal insignia |
f. 170
Puzzle initial |
f. 170
Puzzle initial |
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f. 170v
Arms of Arnold du Bois |
f. 174
Arms |
f. 180v
Puzzle initial |
| |
f. 180v
Puzzle initial |
f. 182v
Arms of William II of Holland |
f. 198v
Bethlehem star |
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f. 213
Mitre and crosier |
f. 214
Mitres and crosiers |
f. 217v
Arms |
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f. 218v
Matthew Paris |
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