This busy view of the piazza, during a Westminster election, is dominated by the ‘handsomest barn in England’: St. Paul’s, Covent Garden. The main focus is, however, the vast crowd of people gathered to attend and listen to the political speeches. Two hustings have been erected, with a candidate addressing the people, in an eloquent posture. A pair of breeches, held up before him on a stick, perhaps refers to an episode of sexual misconduct, whilst the flags are lettered with the names of the eligible parishes.
The franchise in Westminster was extremely wide for the day, consisting of all (male) householders who paid tax in the parish, exacerbating the bitterly partisan nature of 18th and early 19th century elections. The practice of effectively bribing electors with alcohol added to the febrile atmosphere.
Customarily, one of the candidates in a Westminster election was a naval officer, here seen standing up in a boat to the left, accompanied by musicians and carried by uniformed sailors (who could often be incited to violence on behalf of their candidate). Interestingly, the scene is viewed from the edge of the crowd, where the participants are perhaps less politically engaged, more interested in singing, drinking, fighting and dancing.
The view was published in volume one of Rudolph Ackermann's popular print series, Microcosm of London.
- Full title:
- Microcosm of London. [W. H. Pyne and William Combe. With coloured plates by A. C. Pugin and T. Rowlandson.]
- 1 July 1808, London
- Rudolph Ackermann
- Aquatint / Etching / Hand-Colouring / View
- John Bluck, Augustus Charles Pugin, Thomas Rowlandson
- Usage terms
- Public Domain
- Held by
- British Library
- C.194.B.305-307 (vol.I, plate facing p.209)
- Article by:
- Matthew Sangster
- Transforming topography, Town and city
Advances in print technologies, a growing consumer base and the interventions of clever entrepreneurs led to a burgeoning of prints of London in the 18th and 19th century. Matthew Sangster considers the ways in which these prints represented and organised the city, placing them onto a digital map of London to reveal the geographical and cultural patterns they trace.
- Article by:
- John Barrell
- Transforming topography
Emeritus Professor John Barrell explores the 18th-century meanings of ‘landscape’ and ‘topography’ to reassess traditional definitions and distinctions.