On first meeting the Irish poet, playwright and novelist Oliver Goldsmith, Samuel Johnson described him in his journal as a ‘Curious odd pedantic fellow with some Genius’.
The son of an Anglo-Irish clergyman, Goldsmith was born in 1729 in Pallas, County Longford, Ireland, and grew up in Lissoy. He showed a flair for storytelling from a young age but was not a natural student. He studied at Trinity College, Dublin, where he was almost expelled for his involvement in the Black Dog riot (where a group of students released a fellow student from arrest, captured a bailiff and stormed Newgate Prison, which was known as the Black Dog). After scraping a degree, he tried the Church for a while – but this did not work out either. He led something of an itinerant life as a young man, studying medicine in Edinburgh (without graduating) and vagabonding across Europe. He arrived in London, short of funds, in 1756.
In London he turned to journalism, though he also worked as an apothecary’s assistant and a school usher. He often contributed to Ralph Griffiths’s Monthly Review. He soon emerged as a nimble essayist with an engaging style and a sense of humour that was always tempered by affection. A number of his essays were collected as The Citizen of the World in 1762.
Eventually his work led him into Samuel Johnson’s circle. The men became friends, and Goldsmith is one of the most prominent figures in Boswell’s Life of Johnson. Goldsmith was one of the nine original members of The Club, a literary dining society founded in 1746, along with Johnson and the artist Joshua Reynolds. He was socially awkward and people often commented on his ‘foolishness’, but he was embraced by this set of sophisticated men. 1764 was the year he cemented his reputation as a poet with The Traveller, the first work to which he put his name.
Problems with money and later writings
Throughout his life Goldsmith was spectacularly bad with money. He gambled, was generous beyond his means, often frittered away what he earned and as a result was frequently in debt and had to resort to hack work. During a period of financial distress, Johnson helped him to sell his novel The Vicar of Wakefield, a humorous portrait of village life underscored with gentle wit. He next turned his attention to theatre with The Good Natur’d Man (1768), though it was his play She Stoops to Conquer (1773), a ‘laughing comedy’ in which a woman poses as a maid in order to get a man to fall for her, that was his biggest success. Like much of Goldsmith’s work, it was written, in part, to pay off the debts that dogged him.
Goldsmith died after a brief illness in 1774, at the age of just 43, and is buried in London’s Temple Church. Johnson would remember him as a man ‘who left scarcely any kind of writing untouched and who touched nothing that he did not adorn’.
Further information about the life of Oliver Goldsmith can be found here via the Oxford Dictionary of National Biography.
- Article by:
- Andrew Dickson
- Theatre and entertainment
Andrew Dickson charts the growth of 18th-century theatre, looking at the new venues, stage technology, audiences, playwrights and great actors of the age.
- Article by:
- Diane Maybank
- Politeness, sensibility and sentimentalism, Gender and sexuality, Theatre and entertainment
Oliver Goldsmith published several critiques of audiences and playwrights before writing a laughing comedy that was the triumph of its season and that continues to be performed today. Diane Maybank introduces She Stoops to Conquer, which uses satire to explore divisions between city and countryside, men and women, and rich and poor.
- Article by:
- Matthew White
- Georgian society
Cities expanded rapidly in 18th-century Britain, with people flocking to them for work. Matthew White explores the impact on street life and living conditions in London and the expanding industrial cities of the north.
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