Congreve, The Way of the World
John Dryden, Fables
Queen's Royal Cookery
East India Company sales catalogue
The Spectator
Jonathan Swift, A Proposal...
Sugar in Britain
Daniel Defoe, Robinson Crusoe
Bartholomew Fair
Trade and the English language
Swift, A Modest Proposal
East India Company: Bengal textiles
English arrives in the West Indies
Hogarth, Harlot's Progress
Cities in chaos
Polite conversation
James Miller, Of Politeness
Samuel Richardson, Pamela
Advert for a giant
Muffin seller
The Art of Cookery
Henry Fielding, Tom Jones
Johnson's Dictionary
Sterne, Tristram Shandy
Lowth’s grammar
Rousseau, The Social Contract
Walpole, The Castle of Otranto
Goldsmith, She Stoops to Conquer
Captain Cook's journal
Journey to the Western Islands of Scotland
Burns, Poems Chiefly in the Scottish Dialect
Anglo-Indian newspaper
Notices about runaway slaves
First British advert for curry powder
Storming of the Bastille
Olaudah Equiano
William Blake's Notebook
Thomas Paine's Rights of Man
Walker’s correct pronunciation
Wollstonecraft's Rights of Woman
Songs of Innocence and Experience
Tom Jones is one of the earliest English novels, and was hugely popular when it was first published in 1749. It tells the story of the foundling Tom and his journey towards adulthood and marriage. As might be expected, this journey is a complicated one: Tom falls in love with a neighbour's daughter, discovers that he has a rival for his love in the shape of the unpleasant Master Blifil, and is expelled from Mr Allworthy’s house after a series of misadventures. His picaresque journey leads him to encounter a vivid cast of characters including robbers, soldiers, gypsies and untrustworthy lawyers - the latter perhaps an arch nod to Fielding's own legal career.
Yet the plot alone is only part of Tom Jones. The novel is written in a mock-epic style in which Tom’s adventures are paralleled with those of the heroes of Classical mythology: whole chapters are given up to seemingly irrelevant digressions, and the story is frequently underscored with a bawdy humour that led Samuel Johnson to comment that he 'scarcely knew a more corrupt work'. Fielding's influence can be seen on a number of later writers, most notably the great 19th-century novelists Charles Dickens and William Makepeace Thackeray.