Congreve, The Way of the World
John Dryden, Fables
Queen's Royal Cookery
East India Company sales catalogue
The Spectator
Jonathan Swift, A Proposal...
Sugar in Britain
Daniel Defoe, Robinson Crusoe
Bartholomew Fair
Trade and the English language
Swift, A Modest Proposal
East India Company: Bengal textiles
English arrives in the West Indies
Hogarth, Harlot's Progress
Cities in chaos
Polite conversation
James Miller, Of Politeness
Samuel Richardson, Pamela
Advert for a giant
Muffin seller
The Art of Cookery
Henry Fielding, Tom Jones
Johnson's Dictionary
Sterne, Tristram Shandy
Lowth’s grammar
Rousseau, The Social Contract
Walpole, The Castle of Otranto
Goldsmith, She Stoops to Conquer
Captain Cook's journal
Journey to the Western Islands of Scotland
Burns, Poems Chiefly in the Scottish Dialect
Anglo-Indian newspaper
Notices about runaway slaves
First British advert for curry powder
Storming of the Bastille
Olaudah Equiano
William Blake's Notebook
Thomas Paine's Rights of Man
Walker’s correct pronunciation
Wollstonecraft's Rights of Woman
Songs of Innocence and Experience
'--Shut the door.--was begot in the night, betwixt the first Sunday and the first Monday in the month of March, in the year of our Lord one thousand seven hundred and eighteen. I am positive I was.'
The Life and Opinions of Tristram Shandy, Gentleman, is a witty and highly original novel. Its title makes it sound like a typical 'bildungsroman': the 'novel of experience' that charts an individual's growth from childhood to maturity. In reality, it is a strikingly modern attempt to chart the difficulty of writing such an account. In trying to tell the story of his origins, Tristram gets bogged down by his desire to make his explanations as precise and all-encompassing as possible: he goes off on tangents, is led up blind alleys, and sometimes descends into inarticulacy, with words giving way to squiggles, asterisks and occasional blank pages. His digressions - on topics as diverse as siege warfare, the naming of children, the importance of having a large and attractively-shaped nose, and his own accidental circumcision - are often extremely funny.
Laurence Sterne was criticised by some of his contemporaries for his borrowings from other texts, but Tristram Shandy is praised today as a very early example of metafiction.