Congreve, The Way of the World
John Dryden, Fables
Queen's Royal Cookery
East India Company sales catalogue
The Spectator
Jonathan Swift, A Proposal...
Sugar in Britain
Daniel Defoe, Robinson Crusoe
Bartholomew Fair
Trade and the English language
Swift, A Modest Proposal
East India Company: Bengal textiles
English arrives in the West Indies
Hogarth, Harlot's Progress
Cities in chaos
Polite conversation
James Miller, Of Politeness
Samuel Richardson, Pamela
Advert for a giant
Muffin seller
The Art of Cookery
Henry Fielding, Tom Jones
Johnson's Dictionary
Sterne, Tristram Shandy
Lowth’s grammar
Rousseau, The Social Contract
Walpole, The Castle of Otranto
Goldsmith, She Stoops to Conquer
Captain Cook's journal
Journey to the Western Islands of Scotland
Burns, Poems Chiefly in the Scottish Dialect
Anglo-Indian newspaper
Notices about runaway slaves
First British advert for curry powder
Storming of the Bastille
Olaudah Equiano
William Blake's Notebook
Thomas Paine's Rights of Man
Walker’s correct pronunciation
Wollstonecraft's Rights of Woman
Songs of Innocence and Experience
The public on both sides of the Atlantic was eager for guidance on how to speak correctly. John ‘Elocution’ Walker (1732–1807) met this demand by illustrating how to reproduce a ‘cultured’ London accent, which he described as ‘undoubtedly the best’. Advice is given for people with Scottish or Irish accents, and above all for Londoners with a Cockney accent, which according to Walker is ‘a thousand times more offensive and disgusting’.
On this page
Walker uses a system of marks and numbers to indicate the desired pronunciation. A short slanted line like this ´, for example, indicates the syllable immediately before carries the stress. We can see in these pages how some words have changed since his day, such as balcony, which has the stress on the second syllable.
John Walker, A Critical Pronouncing Dictionary, 1791.
Shelfmark: 69.f.9.