Edward II: plot and character overview
Outraged by Edward’s elevation of his male favourite Gaveston, Mortimer, one of the King’s lords, asks, ‘[w]hy should you love him whom the world hates so?’ ‘Because,’ says Edward, ‘he loves me more than all the world’ (1.4.76-77). Edward II’s representation of what many modern critics have seen as an identifiably homosexual king makes this play seem pressingly modern. The brutal degradation and murder of Edward in a manner that seems to mock his homosexuality therefore makes the play even more topical and disturbing.
Edward II depicts an amoral and ruthless political world, in which each player single-mindedly pursues their own pleasures and ambitions, with dire consequences. Christopher Marlowe’s play is more sympathetic to Edward than is his major source for the story, the history Holinshed’s Chronicles (1577; 1587), which denounces the King’s weakness and infatuation with Gaveston. In Edward II, the motivations of the other characters are also suspect.
Edward’s amorous attachment to Gaveston pits the King against almost all his lords. The lords force Gaveston into exile, until Edward rather insensitively persuades his wife, Queen Isabella, to plead his case with the lords. They reluctantly agree to Gaveston’s return, if only to ‘greet his lordship with a poniard’ (1.4.266) [a small, slim dagger] – that is, to murder him. When Gaveston returns, the ambitious Mortimer wounds him, and Edward declares war on his nobles. Gaveston is captured and executed. However, losing the war, Mortimer and the other rebellious lords flee to France, and Mortimer and Isabella become lovers. Later, Edward’s army is defeated by the rebels and he flees, but is quickly found, imprisoned and forced to abdicate in favour of his young son, with Mortimer and Isabella as co-regents. On Mortimer’s orders, Edward is degradingly treated, and then murdered by a hired assassin. There is little detail in the playtext’s stage-directions, but Holinshed’s Chronicles gruesomely records that the murderers ‘put into his fundament [anus] an horne, and through the same they thrust up into his bodie an hot spit … the which passing up into his intrailes … burnt [them]’. Compressing historical time, in the play Edward’s murder is immediately revealed and his son Edward III, now the new king, takes revenge upon Mortimer and Isabella.
When did Marlowe write Edward II?
The date of Edward II is uncertain, though it must precede Marlowe’s death on 30 May 1593. The earliest surviving text of the play was printed in 1594.
- Article by:
- Martin Wiggins
- Renaissance writers, Gender, sexuality, courtship and marriage, Histories, Power, politics and religion
The complex portrayal of Edward II’s love for his male favourite Gaveston has fascinated audiences for centuries. Here Martin Wiggins discusses the play’s depiction of same-sex love, homophobia, power and tragedy.
- Article by:
- Andrew Dickson
- Renaissance writers
Andrew Dickson looks at the infamous mysteries and controversies surrounding Christopher Marlowe's life, and celebrates the ambition, daring and skill of his work.
- Article by:
- Hannah Gabrielle
Hannah Gabrielle takes a look at how LGBTQ people, narratives and interpretations cut through the British Library’s vast collections.
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