Last chance to see major exhibition at the British Library exploring Fantasy from Arthurian legends to manga
Fantasy: Realms of Imagination was made possible with support from Wayland Games.
***** ‘a visually captivating treat’ - The Telegraph
**** 'a genre-spanning fantasy exhibition with so many treasures’ - The Daily Mail
**** ‘an excellent exhibition that slices and dices the fantasy genre’ - Londonist
- Fantasy: Realms of Imagination closes at the British Library on 25 February 2024
- The exhibition features over 100 items, some never seen before in the UK, that illustrate how Fantasy is flourishing today across a range of different media – literature, TV, film, games and more – and looks back at the origins of the genre
- Fantasy is accompanied by a diverse events programme, with events still to come on Queer Fantasy, Afrofuturism, Dungeons & Dragons and the work of Mervyn Peake.
For centuries readers have escaped their everyday lives and journeyed into new worlds filled with magic and adventure, incredible mythical creatures, and heroes and villains that speak to our greatest dreams and fears.
Until 25 February visitors to the British Library can see a major new exhibition that explores the evolution of Fantasy. From ancient folk tales and fairy stories, gothic horror and weird fiction, to live action role-playing games inspired by Fantasy worlds, the exhibition celebrates the genre and its enduring impact.
In Fantasy: Realms of Imagination the British Library invites visitors to discover over a hundred items – including historical manuscripts, rare first editions, drafts of iconic novels, scripts and maps, film props and costumes – that offer unique insights into the roots and evolution of the genre.
The exhibition takes visitors on a journey through the fantastical worlds imagined by writers, artists and creators over the centuries and across continents. Visitors will get to see works from authors as varied as Ursula K. Le Guin, Neil Gaiman, Mervyn Peake, N.K. Jemisin, J.R.R. Tolkien, Susanna Clarke, Angela Carter, Terry Pratchett, China Miéville and Jeannette Ng to name a few.
Highlight objects include:
- Unique manuscripts of Beowulf, Sir Gawain and the Green Knight, C.S Lewis’ The Lion, The Witch and the Wardrobe, Lewis Carroll’s Alice’s Adventures Under Ground, The Magic City by E. Nesbit, The Owl Service by Alan Garner and The Colour of Magic by Terry Pratchett
- Ursula K. Le Guin’s drafts and drawings for her Earthsea novels – which are on display in the UK for the first time
- Original sketches and outlines for Piranesi by Susanna Clarke, Gormenghast by Mervyn Peake and Michael Palin’s notes for Monty Python And The Holy Grail
- The costumes worn by Margot Fonteyn and Rudolf Nureyev in the Royal Opera House’s 1968 ballet production of The Sleeping Beauty and props and costumes from The Lord of the Rings, The Dark Crystal and Wicked
- Clips from iconic Fantasy film, television and video games including Princess Mononoke, Buffy the Vampire Slayer, Pan’s Labyrinth and Skyrim
- A playable mini-game by Failbetter Games designed especially for the exhibition, based on the Fallen London universe.
The design of the exhibition allows visitors to journey through different Fantasy landscapes, from a dark enchanted forest, through epic mountains and a sinister fallen city to sunrise on a new world.
The exhibition begins by exploring the Fantasy archetypes that still fascinate us today in ‘Fairy and Folk Tales’ from The Snow Queen to The Arabian Nights and Peter Pan. Visitors will discover how different cultures shape local legend and reflect on the conflict between destiny and choice, how frightening figures in Fantasy can both repulse and thrill us, and how transformation and metamorphosis can change not only the stories themselves, but also readers and viewers. Highlights include items from Angela Carter’s archive and costumes from the 1968 ballet production of The Sleeping Beauty.
Visitors then enter the world of ‘Epics and Quests’, meet iconic heroes and villains from Sir Gawain and the Green Knight to Xena, Warrior Princess, and explore how ancient tales have helped to shape modern Fantasy epics. On display will be a version of Gilgamesh, the oldest known epic story, and there is a rare chance to see items related to The Lord of the Rings, including J.R.R Tolkien’s notes for the 1955-56 BBC Radio adaption of the book. Visitors will also get to see Ursula K. Le Guin’s drafts and drawings for her Earthsea novels – which are on display in the UK for the first time.
The ‘Weird and Uncanny’ section focuses on iconic monsters, sinister landscapes filled with eerie edifices and the darkness at the heart of Fantasy. Visitors will discover the roots of weirder fantasies in works like Frankenstein and the stories of Edgar Allan Poe, learn how Piranesi’s Carceri etchings inspired the design of Susanna Clarke’s Piranesi, see how G.K. Chesterton visualised his nightmarish thriller The Man Who Was Thursday and understand how Fantasy presents twisted versions of our reality to reflect our greatest hopes and fears. They’ll also meet strangely sympathetic anti-heroes from Paradise Lost to Gormenghast.
Once they have encountered the strange creatures that haunt the genre, visitors journey into ‘Portals and Worlds’ and discover the richly detailed world-building that makes Fantasy universes unique, and how the sub-genre of Portal Fantasy has shaped the history of children’s literature. On display will be a map of Discworld by Terry Pratchett, original manuscripts of Diana Wynne Jones’ The Dark Lord of Derkholm and Neil Gaiman’s Coraline, and costumes and props from The Dark Crystal. The exhibition concludes with a look at the impact of fan culture. It features live action role-play costumes, an exploration of fan fiction and filmed interviews with fans exploring what Fantasy means to them, recognising the creativity and innovation that fans have brought to the genre.
Tanya Kirk, Lead Curator of Fantasy: Realms of Imagination at the British Library, said: ‘Fantasy is hugely influential today but it has roots that are far older than many imagine. For centuries, people have loved stories about impossibility, and they’ve responded to Fantasy’s ability to provide us with both an escape but also a way to view our own world from a new perspective. This exhibition tells the story of the genre, from its origins to the enormously rich and diverse forms it takes today. We wanted visitors to feel they were on a journey into imagination, and to experience the genre across different media – not only rare printed books and original manuscripts, but also film, TV, art, music, gaming, costume and fan culture.’
Richard Lawford, Managing Director of Wayland Games Ltd, said: ‘Wayland Games is proud to be supporting Fantasy: Realms of Imagination at the British Library. For over a decade we have taken our customers on journeys into fantastical tabletop gaming worlds, filled with the mythical creatures inspired by the iconic stories in fantasy literature. We’re delighted the exhibition celebrates the role of fantasy fans and will inspire visitors to continue their fantasy journey after the exhibition through our range of tabletop games.’
Accompanying Fantasy is a display in the Entrance Hall of the Library, The Fantastical World of Mervyn Peake: Islands and Seas (now - 25 February 2024) which showcases the richness of the Mervyn Peake Visual Archive. The archive was acquired by the British Library in 2020 and includes works from Peake’s unpublished Moccus Book (1929), as well as images from Captain Slaughterboard Drops Anchor (1939), Treasure Island (1949) and The Swiss Family Robinson (c.1950).
There is also a season of in-person and online events inspired by the exhibition, still to come in the season are; an event looking at queer representation in fantasy; a celebration of Dungeons and Dragons which turns 50 this year; an evening with best-selling author Olivie Blake; and an exploration of the work of writer and illustrator Mervyn Peake to name a few. In partnership with Irenosen Okojie’s Afrofuturist festival Black to the Future, the Library will be hosting special event, Imaginary Cities, where authors N.K Jemisin and Victor La Valle will be discussing how imagined and real urban settings in fiction can provoke and lead to social change and activism in the real world. The season concludes with The World Builders: a day of talks with leading film and games production designers on how fantasy inspires their work.
Fantasy: Realms of Imagination runs at the British Library until 25 February 2024. The exhibition was made possible with support from Wayland Games and The Unwin Charitable Trust, with thanks to The American Trust for the British Library and The B.H. Breslauer Fund of the American Trust for the British Library.
From autumn 2024 the exhibition will tour internationally. There is also a Fantasy inspired retail range available at the British Library shop, including a book of essays inspired by the exhibition.
Notes to editor
For all press enquiries please contact Freya Barry on freya.barry@bl.uk or 07701 022 582.
Fantasy: Realms of Imagination
https://fantasy.seetickets.com/timeslots/filter/fantasy-realms-of-imagination
27 October – 25 February 2024
Tickets: A full priced ticket is £16, with concessions available. There are 10% discounts for groups over 10 when booked in advance.
About the British Library
We are the national library of the UK and we are here for everyone. Our shelves hold over 170 million items – a living collection that gets bigger every day. Although our roots extend back centuries, we aim to collect everything published in the UK today, tomorrow and far into the future. Our trusted experts care for this collection and open it up for everyone to spark new discoveries, ideas and to help people do incredible things.
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About The Unwin Charitable Trust
The Unwin Charitable Trust was established in 1975 by the publisher Rayner Unwin CBE and was founded on a bequest from his father, Sir Stanley Unwin. Unwin published J. R. R. Tolkien’s The Hobbit, to wide—but not yet phenomenal—acclaim. He did ask Tolkien for a sequel almost immediately, but “it grew in the telling” and took the busy academic more than a decade to complete. He called it The Lord of the Rings. Since its formation in 1975 the Trust has sponsored many projects and initiatives in the fields of publishing, bookselling and printing, now as the Trust winds up, it is delighted to support this exhibition.