Victorian Britain

No matter how poor people were, they could usually raise a penny or so for some light entertainment.

Penny gaffs and music halls

Just one penny admitted you to the back room of a public house thick with tobacco smoke. There a raucous singer delighted the audience with a repertoire of crude ballads, competing with shouts for more gin. The audience was mostly female, aged between eight and 20. An evening at a penny gaff made a pleasant change from their crowded slum rooms. By the late 1860s penny gaffs were giving way to more respectable, and comfortable, music halls and theatres. There you could sing along to your favourite popular songs, or watch entertainment as diverse as acrobats, trapeze artists, ‘operatic selections’, ‘black-face minstrels’, or can-can dancers.

Alcohol was still served during the performance but the audience was less riotous and the repertoire less gory. The price was still surprisingly low: a box at the Garrick Theatre cost only two or three pence.

Magic, freak shows and waxworks

Illusionists and spiritualists were popular attractions in theatres and exhibition halls: audiences could sit amazed as ghosts appeared on stage and automata solved mathematical puzzles. Renowned performers appeared to levitate, slice the heads off spectators and escape out of locked boxes.

Victorian audiences had no qualms about staring at human beings with disabilities or physical abnormalities. The income from being exhibited was often the only way for some of these people to live. The famous ‘Elephant Man’, whose face was badly deformed, was given sanctuary from a life of freak shows in the London Hospital, where he lived for four years till he died in 1890.

1834 saw a particularly horrid murder. Waxwork figures of the murdered woman and her four murdered children, dressed in their own clothes, had the public paying to see them in the very rooms where they had died. From 1843 Madame Tussaud’s ‘Chamber of Horrors’ documented current murders, exhibiting uncanny likenesses of the murderers within a few days of their executions. From 1888 Jack the Ripper could be seen in waxwork, even in penny peepshows.

Circuses

There were many small collections of animals, sometimes owned by a circus manager who trundled them along the country roads before erecting his ‘Big Top’ wherever he hoped for a profitable audience. The first famous circus proprietor, ‘Lord’ George Sanger, produced spectacular winter shows in Astley’s Amphitheatre, just over Westminster Bridge.

In 1884 his Gulliver’s Travels had a cast of 700 humans, 13 elephants, nine camels and 52 horses, with miscellaneous lions, buffaloes, ostriches and kangaroos thrown in. Phineas T. Barnum’s circus in Olympia specialised in themed spectacles, such as his Venetian pageant in 1891, when the vast arena was flooded and the spectators could take gondola rides down the canals, before watching a great sea battle involving over 1,000 performers.

Street artists

Zoos

Pleasure gardens

The Crystal Palace revived

Popular amusements included ascents by the official Crystal Palace Astronaut in his gas-filled balloon. For £5, a considerable amount in those days, you too could look down on London from a mile high, or more. From 1865 Charles Brock began his magnificent weekly firework displays.

The 200-acre park contained three lakes, in one of which was an island housing models of ‘Extinct Animals’ made as lifelike as the then state of pre-historical knowledge allowed. The Iguanodon alone was 34 feet long, made of four iron columns, tiles, bricks, hardcore and 38 casks of cement.

Paxton was given free rein in designing magnificent fountains and water works, but they were so expensive to operate that they were turned on only for very special occasions. His vast expenditure contributed to the growing financial problems of ‘The People’s Palace’. During its first 30 years the average annual attendance was two million people. But gradually the high-minded aims of the original promoters had to give way to commercial pressure.

The People’s Palace was completely destroyed by fire in 1936.