This anthology, published in 1825, brings together past and contemporary poets: William Wordsworth (1770–1850) and Samuel Taylor Coleridge (1772–1834) alongside Chaucer, Shakespeare and Milton. The anthology is edited by essayist and critic William Hazlitt, who has written a paragraph about each included poet.
William Wordsworth and HazlittHazlitt writes baldly that Wordsworth has ‘no fancy, no wit, no humour, little descriptive power, no dramatic power’. Yet his admiration for the poet is clear: he says he has a ‘power of raising the smallest things in nature into sublimity by the force of sentiment’. The implication is that Wordsworth’s power is the more remarkable for the qualities (fancy, wit etc.) that he lacks. In emphasising Wordsworth’s ‘sublimity’, Hazlitt echoes the poet’s own interest in the sublime. Elsewhere, he described Wordsworth’s ‘genius’ as a ‘pure emanation of the Spirit of the Age’.
- Article by:
- Sally Bushell
William Wordsworth’s poem ‘The Ruined Cottage’ tells the tale of a family torn apart by circumstances beyond their control. Professor Sally Bushell charts the decline of person through place in the poem.
- Article by:
- Philip Shaw
Professor Philip Shaw considers the composition of 'Lines written a few miles above Tintern Abbey', and explains how Wordsworth uses nature to explore ideas of connection and unity.