In May 1917, the poet Wilfred Owen was diagnosed with neurasthenia (shell-shock) and sent to Craiglockhart hospital near Edinburgh to recover. Whilst receiving treatment at the hospital, Owen became the editor of the hospital magazine, The Hydra and met the poet, Siegfried Sassoon, who was to have a major impact upon his life and work, and to play a crucial role in the dissemination of Owen’s poetry following his untimely death in 1918 aged only 25.
Owen wrote a number of his most famous poems at Craiglockhart, including several drafts of both ‘Dulce et Decorum est’ and ‘Anthem for Doomed Youth’. Owen’s poetry was markedly different from the patriotic verse which had previously been written about the war, as it sought to vividly describe the horrors of war rather than concentrating solely on the heroic and patriotic fervour that surrounded the early years of the conflict. Sassoon advised and encouraged Owen, and this is evident in a number of drafts which include Sassoon’s annotations.
‘Dulce et Decorum est’ is made up of harrowing images of trench warfare, including a gas attack: 'Gas! GAS! Quick, boys! – An ecstasy of fumbling / Fitting the clumsy helmets just in time, / But someone still was yelling out and stumbling / And flound’ring like a man in fire or lime.' In the final lines the poet addresses the full horror of war as he attacks the patriotic fervour of ‘The gesturing lie: Dulce et decorum est / Pro patri mori’, a Latin motto meaning ‘it is sweet and fitting to die for one’s country’. Sassoon added suggestions in pencil directly onto Owen’s drafts. For example, Sassoon placed a question mark next to the phrase ‘an ecstasy of fumbling’ – but Owen chose to keep it in the poem.
Only five of Owen’s poems were published in his lifetime. However, after his death his heavily worked manuscript drafts were brought together and published in two different editions by Siegfried Sassoon with the assistance of Edith Sitwell (in 1920) and Edmund Blunden (in 1931). They are among some of the most visceral and heart-breaking poems about World War One. The drafts were subsequently acquired by the British Museum Library in 1934.
Which works are digitised here?
- ‘1914’, f. 8
- ‘A Sonnet of Youth’, f. 14
- ‘The Draft’, f. 33
- ‘The Send Off’, f. 33v
- ‘The Draft’, f. 35
- 'Dulce et Decorum est', f. 41
- ‘Disabled’, ff. 47–49
- 'Anthem for Dead Youth', f. 54
- ‘Winter Song’, ff. 66–67
- ‘The Promises’, ff. 81–82
- ‘The Letter’, f. 160
- ‘Untitled’, f. 178
- ‘The Rime of the Youthful Mariner’, f. 179
- Full title:
- POEMS OF WILFRED OWEN. Vol. II (ff. 183). Versions of all but four of the remaining poems edited by Blunden.
- 1911 - 1918
- Manuscript / Draft
- Wilfred Owen, Siegfried Sassoon
- Usage terms
© The Wilfred Owen Literary Estate. This item can be used for your own private study and research. You may not use this work for commercial purposes.
- Held by
- British Library
- Add MS 43721
- Article by:
- Modris Eksteins
- Representation and memory
Focusing on works of fiction produced during the 1920s-30s, Professor Emeritus Modris Eksteins explores the role of literature as a means to confront and overcome the devastation of World War One.
- Article by:
- Randall Stevenson
- Literature 1900–1950, Capturing and creating the modern, Power and conflict
Randall Stevenson describes how the violence and loss of the First World War affected modernist writers’ attitudes towards nature and time, as well as shaping their experiments with language, literary form and the representation of consciousness.
- Article by:
- Santanu Das
- Literature 1900–1950, Power and conflict
Santanu Das examines the crafting of one of Owen’s most poignant poems, ‘Dulce et Decorum Est’, and shows how Owen’s war poems evoke the extreme sense-experience of the battlefield.
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‘Anthem for Doomed Youth’ is a poem by the British poet Wilfred Owen, drafted at Craiglockhart War ...